Search Results for: a hanging

Sarah O’Connor

Sarah O’Connor writes about the changing world of work for the Financial Times, where she is an investigations correspondent and columnist. She joined the FT in 2007 as a graduate trainee, and in the subsequent decade she has covered the US economy from Washington, the UK economy from London and the financial crisis from Reykjavik. Her coverage of the labour market won the Wincott Prize for Financial Journalism in 2017, while her regular op-ed column won Economics Commentator of the year at the 2017 Comment Awards and Business Commentator of the year at the 2018 Comment Awards. Her story about “Shit Life Syndrome” in Blackpool won the Orwell Prize for Exposing Britain’s Social Evils in 2018.

The Orwell Memorial Lectures

 

1995
Risk – Professor Anthony Giddens

1994
But is it Socialism? – Rt. Hon. Roy Hattersley MP

1993
Changing the Legal Culture – Helena Kennedy QC

1992
Socialist Values – Robin Cook MP

1991
Fiction and Agnosticism – Penelope Lively

1990
Must Revolutions Fail? – Sir Ralf Dahrendorf

1989
Big Brother, Big Sister and Today’s Media – Bruce Kent

Be Cynical – Ammarah Yasin

 

She sits on a slightly damp IKEA sofa, head in her hands and feeling it sag under her weight, sighing so deeply her whole body shakes. The sounds of smashing glass punctuate her thoughts. She can’t even remember the elation she felt yesterday, nor the anger of last night, for this new revelation has shaken her to her very core. It beggars belief – not how an entire population can be fooled so easily- but how fragile hope is: once shattered, the shards will always remain, embedded in your skin, hair, crawling inside your very mind, a constant reminder of how easily you were hoaxed.

It had all stemmed from a single fact. The people had no longer trusted their politicians. Or maybe we had never trusted them, and it was only now that the politicians had begun to realise. Either way, at the time it had seemed like the perfect solution. She is drawn back to the day that tiny green light was first seen on national television, and how it had been a beacon of hope that had single-handedly revived an entire population exhausted with mistrust. The hope that had increased the percentage of the population who voted from thirty to almost ninety percent. The hope that had been hailed as the saviour of democracy in the Western world.

And that hope came from a single application: Himmeä. Released in 2021, it employed the use of advanced facial recognition software, drawing on the past examples of Snapchat and Samsung, as well as on their wealth of data. This data was then uploaded and analysed so as to detect and interpret the movement of every facial feature: the twitch of an eyelid, a purse of the lips, the movement of blood; every tell-tale sign that a person was lying, and compiled into a single network that claimed to provide one hundred percent accurate and non-invasive lie detection. And it was to be used exclusively on politicians.

In the first few months after its release, the entire political world was shaken. Britain declared a state of emergency as riots shook the streets of London, the crowds incensed, first by the refusal of their government to follow the examples of their peers and implement the system, and then by the sight of the red light flashing on their Prime Minister’s wrist virtually every time she opened her mouth. It wasn’t that they hadn’t known: everyone had known, but the constant visual reminder and the unwillingness of the establishment to actually do anything about it was jarring. It had turned out that Himmeä was far more sensitive than originally thought; picking up on not only lies but exaggerations, euphemisms, prevarications; essentially rendering political language as a whole, useless. Himmeä had accomplished its purpose; it had provided evidence. But what good was evidence if there was to be no justice? For a while, it seemed as if the world was to collapse under the weight of honesty, but after eight long nights, England’s Prime Minister resigned, and like a phoenix rising from the ashes of a burning country, a new system formed. It was painful, and it was long, but finally, there were MPs that had their communities behind them, a new generation of teenagers who actually trusted their politicians; the world was a better place, and everyone had agreed that it had been worth it. Until now. Until the inevitable loophole that would prove the cynics right once again. Never trust a politician they cried, this is too good to be true. They said that the system could never be reformed by those in power when they had naught to gain. But she hadn’t listened.

It had all happened so fast.

In fact, until half an hour ago, she had never even heard of any allegations of misconduct on part of the British government in Eritrea; that’s how little attention anyone paid to political discourse nowadays. But they had really screwed up this time. She looks again at the viewer count. It’s virtually unreadable the numbers are changing so fast, but there are more than seven digits and it’s climbing. She presses play again, watching her Prime Minister: the man she had voted for, had trusted wholeheartedly, stood outside number ten Downing Street, no podium, no sheath of papers -those too had been left behind in the pre-Himmeä world- under a beautiful blue sky and assured the world -his unflinching gaze finding the camera and holding it – that the British government had never, and would never employ the use of non-human combat forces in an active war zone. He cited international laws and arms agreements, spoke briefly on their limited use of drones and stressed the importance of minimising civilian casualties. His face is resolute, his tone strong and sure, betraying not a hint of uncertainty, almost self-righteous in indignation, but most importantly, the light above his wrist is a gentle green, flashing steadily with his heartbeat. And that terrifies her. She can imagine how many people had watched that speech, glanced at his wrist, and immediately registered his words as fact because that’s exactly what she would’ve done. There was no reason for distrust. Not after everything that had happened. Not after Himmeä.

But they had all been taken for fools. All sixty-two point seven nine million Britons who had voted in the general election had been hoaxed, and they had fallen for it hook, line, and sinker for more than eleven years. Because exactly two hours -down to the second- after the speech had aired, cold, conclusive and simply irrefutable evidence had come to light proving that the government of the United Kingdom were entailing the use of android soldiers in the ongoing conflict in Eritrea, despite the multiple international laws that forbade it. They had been lied to. But they had been made to believe that that was impossible. It was the greatest feat a politician could achieve: to make the masses believe that every word from his mouth was the truth, the whole truth and nothing but the truth, to remove the very word ‘cynic’ from common vocabulary, to make the words ‘politician’ and ‘lie’ completely dissociate.

It didn’t even matter how they had done it. She doesn’t want to know. The flow of information had been contaminated, and her very being crawled with an emotion very near to revulsion at the very thought of ever again believing a word that slithered over his slimy lips. She feels dirty, almost violated, but this is unlike any other violation she has experienced. Others had forced themselves on her, but this was the first time she had been compliant in her own debasement; the first time she had felt mentally defiled like she couldn’t trust her own judgement. How could she have gotten everything so wrong? How could she have been so utterly naive?

And as she sits on a slowly deflating grey sofa, she thinks of a quote she had once heard. ’Can anyone maintain power without lying? It looks to me like living without breathing.’

Hope truly is a dangerous thing and as the night deepens, she can hear the streets coming alight again for the first time in decades.

 

Orwell’s Down and Out: LIVE

“The evil of poverty is not so much that it makes a man suffer as that it rots him physically and spiritually.” – George Orwell

George Orwell’s classic book on 1930s poverty in Paris and London is to be brought to life in an immersive performance that asks searching questions about homelessness today.

Orwell wrote Down and Out in Paris and London as a result of his own experiences sleeping rough and working on what would now be called zero-hours contracts in hotel kitchens. The performance also draws on other Orwell work including his diaries, The Spike and A Clergyman’s Daughter. Readers include writers, activists, politicians, campaigners and young people who have been homeless. In a multi-disciplinary production, modern stories from the streets are experienced alongside the Orwell text.

The performances – in London on 6th June as part of UCL’s Festival of Culture, and Paris in late September – are by the same team who produced the acclaimed reading of the whole of 1984 on a single day in 2017. Each performance will be accompanied by discussions and workshops on the contemporary challenges of homelessness and poverty.

The event is the result of a collaboration between The Orwell Foundation, The Joseph Rowntree Foundation, Libby Brodie Productions and UCL’s Festival of Culture. It is supported using public funding by Arts Council England.

The Director of the Orwell Foundation, Jean Seaton, said

“We are proud to be re-imagining Orwell’s work to focus on contemporary poverty, to use the power of the performance to shed new light. It is thrilling to be able to connect to our colleagues in Paris in this joint creative and intellectual piece of work . But we are ashamed that is so necessary.”

The Production

Drawing on the iconic works of Orwell and combining these with real-life, modern-day testimonies, Orwell’s Down and Out Live is an immersive production which focuses on the phenomenon of homelessness both in the past and present day. Read live by politicians, artists, celebrities, activists and members of the homeless community and using a combination of music, story-telling, film and performance this live theatrical event, directed by Hannah Price, will run in London for one day only ahead of a performance in Paris.

Director Hannah Price, said

“Orwell has always been known as the voice of the dispossessed: a political stalwart examining destitution, poverty and the dangers of a society that doesn’t value every member equally. I’m honoured to be using his extraordinary words as the backbone of an immersive performance that places the shocking rise of homelessness at its centre. Using live readings, music, sound and storytelling Orwell’s Down and Out Live aims to explore, examine and illuminate. After the success of 1984 Live I’m delighted to be teaming up with Libby Brodie Productions and the Orwell Foundation once again, on this important and timely piece of work.”

Libby Brodie, of Libby Brodie Productions, said,

“After the success of the UK’s first ever live reading of Orwell’s Nineteen-Eighty-Four last year, watched live by hundreds and streamed online globally by tens of thousands, LBP is honoured to create another relevant production using Orwell’s iconic work. With a shocking 60% rise in homelessness since 2012, this re-imagination of “Orwell’s Down and Out Live” will use the powerful medium of theatre to bring to life the topic of rough-sleeping and the hidden homeless in an immersive, live theatrical event in both London and Paris”.

The events will be accompanied by new poetic responses in English and French and a short film will be produced by the award-winning film-maker Edwin Mingard.

For those unable to attend the London venue, both performances will be live streamed and viewing events will be arranged in libraries and community hubs across the UK, with both the London and Paris performances being recorded in full and being made publicly available.

Inspiring social change

The Orwell Foundation is grateful for the continuing support from The Joseph Rowntree Foundation, who are devoted to inspiring social change. Much has improved since the Beveridge Report in 1942 categorised the five evils in society – squalor, ignorance, want, idleness, and disease. But there has been a significant increase in the numbers of homeless people both in the UK and in France. Down and Out in Paris and London – LIVE will shine a light on the issues and foster a cross-cultural dialogue culminating in a policy seminar on homelessness. Campbell Robb, the Chief Executive of The Joseph Rowntree Foundation, said

“We all believe in justice and compassion and protecting people from harm. Orwell’s words are still unsurpassed in articulating what happens to people when that protection falls short.

Now low pay, insecure work, high housing costs, debt and insufficient benefits are pushing people to the brink. Hearing Orwell’s words read by people with experience of homelessness, as well as high profile speakers will bring the realities of homelessness to a diverse audience in a powerful way. The idea is to use Orwell as he would want, to build a better understanding of modern poverty and build support for action to solve homelessness. The JRF is very proud to support it.”

UCL and the Academic Context

The Orwell Foundation have developed a fruitful partnership with UCL, one of the world’s leading universities. Last year, The Orwell Foundation and UCL collaborated with Hannah Price and Libby Brodie Productions to produce Nineteen Eighty Four: Live, the first ever live reading in the UK. Down and Out: LIVE in London will take place at Stone Nest, a short walk away from UCL’s Bloomsbury campus.

UCL’s Festival of Culture Director, Catherine Thomson, said:

“We’re proud to hold the Orwell Archive here at UCL in our Special Collections, and to have been the home of the Orwell Foundation since 2016. This event offers an extraordinary opportunity to reflect collectively on the characteristics and values of UCL which resonate in George Orwell’s writing. Like Orwell, UCL is engaged with the wider world and committed to changing it for the better. We champion radical and critical thinking, and we’re committed to integrating our education, research, innovation and enterprise for the long-term benefit of humanity.”

The performance will form the backbone of a narrative that explores and reveals what homelessness is, how it manifests and what damage is does to the individual and to society at large.

Orwell strongly believed that art and literature could make direct and long-lasting change, focusing the minds and the empathies of his audience on the social or political evils of the day. This event will fuse live art and social activism in an outburst of theatre, music and literature.

Registration

Both performances of Down and Out: LIVE will be free to the public. The London event will run for one-day only on Wednesday 6th June, 2pm-6pm, with a panel debate on how we build public will to tackle the crisis to follow at 6.30pm. Both the show and panel will take place at Stone Nest 136 Shaftesbury Ave, London W1D 5EZ. Registration for the show and panel can be made via UCL’s Festival of Culture.

     

 

 

 

Can writing change the world? With The Orwell Youth Prize

Hosted by the LSE Library, the Orwell Youth Prize and LSE Literary Festival

In this event aimed at young writers aged 13-18, a panel of journalists, writers and historians discuss the role of writing (in all forms) in changing the world: from big journalistic scoops, to bringing attention to stories that people don’t often hear, to the subtler changing of readers’ minds through works of fiction.

George Orwell wrote in his famous 1946 essay Why I Write that ‘political purpose’ was his main motive for writing. By this he meant “desire to push the world in a certain direction, to alter other people’s idea of the kind of society that they should strive after”. Orwell wrote books, he said, “because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing”. His starting point was “always a feeling of partisanship, a sense of injustice”. He believed in the importance of using language to describe reality and the dangers of using language for propaganda.

James Ball (@jamesrbuk) is a special correspondent for BuzzFeed News, having previously worked at the Guardian, where he was a core journalist on investigations including the publication of the NSA files received from Edward Snowden, the Reading the Riots project after the 2011 London Riots and reporting on the WikiLeaks’ Guantanamo Bay files. He has also worked for the International Bureau of Investigative Journalism and WikiLeaks. James has been shortlisted for the Orwell Prize for Political Writing in 2016. He is co-author of two books: WikiLeaks: News in the Networked Era and The Infographic History of the World.

Rebecca Omonira (@Rebecca_Omonira) is a reporter and writer. She is currently the writer in residence at Lacuna, an online magazine that challenges indifference to suffering and promotes human rights. She has been published in openDemocracy, the Guardian, the New Statesman, the Washington Post and the New Internationalist. Rebecca’s reporting on immigration and asylum across the European Union was shortlisted for the 2012 Orwell Prize for Political Writing and her reporting government policy on ordinary lives was shortlisted for the Orwell Prize 2015

Jean Seaton is Professor of Media History at the University of Westminster and the Official BBC Historian. Jean is also the Director of the Orwell Prize for Political Writing. She has written widely on the history and role of the media in politics, wars, atrocities, the Holocaust, revolutions, security issues and religion as well as news and journalism.

The Orwell Youth Prize (@OrwellYouthPriz) is a registered charity which aims to inspire and support the next generation of politically engaged young writers. The OYP run workshops in schools, regional workshops, a writing prize and an annual Celebration Day. The writing prize for young people aged 13 – 18, is open now open for entries!

Suggested Twitter hashtag for this event: #LSELitFest

This event forms part of the LSE Space for Thought Literary Festival 2017, taking place from Monday 20 – Saturday 25 February 2017, with the theme “Revolutions”.

Bonnie Greer

Bonnie is a distinguished playwright, novelist and critic. She was Arts Council playwright in residence at the Soho Theatre and has written many plays for radio and the stage and an opera, Yes, written for the Royal Opera House. She is the author of two novels, Hanging by Her Teeth and Entropy, and three works of non-fiction, Obama Music, Langston Hughes: The Value of Contradiction and A Parallel Life. She contributes to The Guardian and The Daily Telegraph. Bonnie has appeared as a panellist on Newsnight Review and Question Time and has been a trustee of the British Museum, the Royal Opera House and the London Film School. Bonnie is Chancellor of Kingston University. Bonnie was awarded an OBE in 2010.

Promised You a Miracle

A vivid, seminal portrait of early 1980s Britain: a period that changed Britain forever The early 1980s in Britain were a time of hope, and of dread: of Cold War tension and imminent conflict, when crowds in the street could mean an ecstatic national celebration or an inner-city riot. Here, Andy Beckett recreates an often misunderstood moment of transition, with all its potential and uncertainty: the first precarious years of Margaret Thatcher’s government. By the end of 1982, the country was changing, leaving the kinder, more sluggish postwar Britain decisively behind, and becoming the country we have lived in ever since: assertive, commercially driven, outward-looking, often harsher than its neighbours. Taken from www.penguin.co.uk

Unfinished Business

When Anne-Marie Slaughter’s Atlantic article,”Why Women Still Can’t Have it All”first appeared, it immediately went viral, sparking a firestorm of debate across countries and continents. Within four days, it had become the most-read article in the history of the magazine. In the following months, Slaughter became a leading voice in the discussion on work-life balance and on women’s changing role in the workplace. Now, Slaughter is here with her eagerly anticipated take on the problems we still face, and how we can finally get past them. In her pragmatic, down-to-earth style, Slaughter bursts the bubble on all the”half-truths”we tell young women about”having it all”, and explains what is really necessary to get true gender equality, both in the workplace and at home. Deeply researched, and filled with all the warm, wise and funny anecdotes that first made her the most trusted and admired voice on the issue, Anne-Marie Slaughter’s book is sure to change minds, ignite debate and be the topic of conversation.   Taken from and read more at https://www.oneworld-publications.com/books/anne-marie-slaughter/unfinished-business#.Vt18_vmLRD8

The Dark Net

Dark Net cover

Beyond the familiar online world that most of us inhabit – a world of Google, Hotmail, Facebook and Amazon – lies a vast and often hidden network of sites, communities and cultures where freedom is pushed to its limits, and where people can be anyone, or do anything, they want. A world that is as creative and complex as it is dangerous and disturbing. A world that is much closer than you think. The dark net is an underworld that stretches from popular social media sites to the most secretive corners of the encrypted web. It is a world that frequently appears in newspaper headlines, but one that is little understood, and rarely explored. The Dark Net is a revelatory examination of the internet today, and of its most innovative and dangerous subcultures: trolls and pornographers, drug dealers and hackers, political extremists and computer scientists, Bitcoin programmers and self-harmers, libertarians and vigilantes. Based on extensive first-hand experience, exclusive interviews and shocking documentary evidence, The Dark Net offers a startling glimpse of human nature under the conditions of freedom and anonymity, and shines a light on an enigmatic and ever-changing world. Taken from Random House

Capital

When Rana Dasgupta arrived in Delhi at the turn of the twenty-first century, he had no intention of staying for long, but the city beguiled him – he ‘fell in love and in hate with it’ – and fifteen years later, Delhi is still his home. Over these fifteen years, he has watched as the tumult of destruction and creation which accompanies India’s economic boom transformed the face of the city. In Capital, he explores the life-changing consequences for Delhi’s people, meeting with billionaires and bureaucrats, drug dealers and metal traders, slum dwellers and psychoanalysts. These encounters, interwoven with over a century of history, plunge us into Delhi’s intoxicating, sometimes terrifying, story of capitalist transformation – one that has repercussions not only for India, but for everybody’s future. Taken from Canongate

James Astill

James Astill is Political editor and Bagehot columnist of the Economist. He has previously worked as International Security editor, South Asia correspondent, and Energy and Environment editor for the Economist.

Articles submitted

Bagehot: The Weirdness of Eastleigh – The Economist, 23/02/2013

Bagehot: The Parable of the Clyde – The Economist, 31/08/2013

Bagehot: The New Islamophobes – The Economist, 19/10/2013

Bagehot: More Tough, Less Love – The Economist, 02/11/2013

Bagehot: Top of the Class – The Economist, 07/12/2013

Cockney Funerals: Buried Like Kings – The Economist, 21/12/2013

Sex and the Citadel

As political change sweeps the streets and squares, parliaments and presidential palaces of the Arab world, Shereen El Feki has been looking at upheaval a little closer to home – in the sexual lives of men and women in Egypt and across the region. The result is an informative, insightful and engaging account of a highly sensitive, and still largely secret, aspect of Arab society. Sex is entwined in religion and tradition, politics and economics, gender and generations, so it makes the perfect lens for examining the region’s complex social landscape. From pregnant virgins to desperate housewives, from fearless activists to religious firebrands, Sex and the Citadel takes a fresh look at the sexual history of the Arab region, and brings new voices to the debate over its future. This is no peep show or academic treatise. Sex and the Citadel is a highly personal, often humorous, account of one woman’s journey to better understand Arab society at its most intimate, and in the process, better understand her own origins. Rich with five years of groundbreaking research from Egypt to Saudi Arabia, Tunisia to Qatar, Sex and the Citadelgives us unique and timely insight into everyday lives in a part of the world that is changing in front of our very eyes. Taken from Random House

James Astill

James Astill is Political editor and Bagehot columnist of the Economist. He has previously worked as International Security editor, South Asia correspondent, and Energy and Environment editor for the Economist.

Articles submitted

Bagehot: The Weirdness of Eastleigh – The Economist, 23/02/2013 Bagehot: The Parable of the Clyde – The Economist, 31/08/2013 Bagehot: The New Islamophobes – The Economist, 19/10/2013 Bagehot: More Tough, Less Love – The Economist, 02/11/2013 Bagehot: Top of the Class – The Economist, 07/12/2013 Cockney Funerals: Buried Like Kings – The Economist, 21/12/2013

London’s ‘Down and Outs’ then and now

In celebration of the 80th publication anniversary of Down and Out in Paris and London we have a guest post from John Bird on the changes in tramping. Bird will join Brian Sewell in conversation at on the evening of Wednesday 9 October at Foyles Charing Cross Road. Book tickets here. Down and outness has changed radically in my lifetime. As a boy runaway from police and family I slept in doss houses as they were called, with almost exclusively old men; or men who had been made old before their time, by drink and malnourishment. In the early 1960’s it was still illegal to sleep rough and you could be arrested for having no fixed abode. Begging was also outlawed so it meant that most ‘down and outs’ had to work. And they had to live in places like the Rowton Houses or Salvation Army hostels, for which you had to pay. In the Rowton house system you got you own miniscule room, and was vastly superior to the Church Army and Salvation Army dormitories as privacy was prized. I often slept though with a band of others in inaccessible places like under bridges, or in bombsites and gardens; and at times had to make a run for it because the police had arrived. The other place to spent the night in relative safety, London seeming to be full of predatory perverts looking for a boy, was the London station terminuses. Victoria was the best, open all night where you could doss down in the waiting room. I spent many a good night under the vast table that was in the middle of the room, while the adults slept leaning in their chairs against the table. This idyll though was often interrupted by the arrival of policemen who at times drove you out, not believing your plea that you were a bone fide traveler desperate to get back to Penge. There were no soup kitchens but there were all night coffee stalls. The best being opposite Westminster Abbey near Parliament square where you could have a tea and a steak and kidney pie for not much money. Back then ‘down and outs’ were a part of the working population. They were not looked upon as a separate part of society who deserved our alms. They may have got some relief through churches giving you tea and biscuits if your listened to their prayers and hymns. But largely you were simply a very poor worker who washed up in hotels and cafes, or may work in big factories as a casual labourer. Cadby Hall at Olympia in Hammersmith was a great source of work, with a Rowton House opposite. So you could get out at 6am at the Rowton House and go across and queue for a day’s work at Lyon’s Cadby Hall, with them taking virtually all of the residents. My experience of being a ‘down and out’ was based on my lawlessness and what use to be called being ‘beyond parental control’. There weren’t many 14 or 15 year old, if any, at the time I was roughing it. But I did notice even then that if you stayed in a hostel you were simply a poor worker. And that was significant. 30 years later when I started The Big Issue times had definitely changed. ‘Down and outs’ were rough sleepers, sleeping en masse in encampments like Lincolns Inn Field and the Bull-ring at Waterloo. Or in linear dormitories, so to speak, along the Strand and Aldwych. 1991 was full not just of rough sleepers but beggars, a number of them who begged aggressively. The law had not been changed. It was still illegal to beg and to sleep rough. But since the mid 60’s magistrates had been loathed to imprison wrongdoers brought before them. So as a kind of accommodation between police and magistrates the laws were ignored. London was awash with hundreds of homeless people sleeping around the streets and parks. And aside from an occasional arrest for aggressive or violent begging the police ignored this pile up of ‘down and outs’. This population of ‘down and outs’ was not the same as those form Orwell’s day, or my young days. Whereas back then they were workers the new ‘down and outs’ were largely beggars or scavengers, or at times robbers. That is why The Big Issue giving people a chance of making their own legal money was a godsend for the many. Whereas over 90% of people who lived in a hostel when I was young were workers, by the early 1990’s over 90% had no form of work. What they had which the old ‘down and outs’ had little of, was time on their hands. Whereas if you met a drunk ‘down and out’ in my youth he was drunk from money got from his own labour, in the 90’s it was largely through their begging or robbing skills. Orwell describes the old spikes where ‘tramps’ would tramp around the country, maybe getting a bit of work here and there, but also given some form of relief. By my young time that situation been replaced by poor hostels for working men. But the ‘Casual Wards’ did carry on to look after the unfit and the disabled poor, until the mid 60’s they were absorbed into the NHS and the nascent Social Services. I can only look back to that time by reading Orwell. But what I can remember that still existed post war was that broken form of humanity who seemed lost to the world, and were a world unto themselves. Also I remember the dirty kitchens of cafes, restaurants and hotels that I got casual work in. Orwell caught them perfectly, with a bullying that often goes with having a lowly job. As a boy before I went off the rails I would see a particular clean and well-kept man around the museums at South Kensington, near my secondary modern school. He was impeccably dressed. He was upright and careful in the way he strolled around. I always saw him in the big canteen in the Victoria and Albert Museum, in the late 50’s. He would buy himself a mug of tea and a rock cake and take loads of sugar into his tea. And then go and sit as far as he could away from everyone else in the vastly, cavernous canteen of the time, since lost to modernity. I would observe him because I was fascinated by him and by one thing that flummoxed me; when you went close to him you could see that his small reading glasses were bound with tape. That his shirt though clean was over darned. That his well polished shoes were worn and just hanging on. And that his suit was stitched and patched and held together by thread. Impeccably dressed but still distressed and the clothing showed it. Broken in body and mind. But keeping the vestiges of appearance, down to the little flower, sometimes even a dandelion in his button hole. He was one of the many people, I surmised, who had not survived the First World War intact; or the hungry 30’s. He was what you might call one of the hidden ‘down and outs’, who might have had a sister who kept him mended, but could not repair his mind damaged perhaps by war or a reversal of fortune. Our mental institutions had largely been emptied by the late 80’s through Thatcher’s policy of closure and ‘Care in the community’. As well as our prisons filling up with mentally distressed people our streets likewise filled. And added to hoards of young people who were refused benefits while living at home with their parents, one could see that ‘down and outs’ were often socially different from the old style ‘down and outs.’ So ‘down and outs’ have certainly changed in my lifetime. But that is not the end of the story. For since the early days of The Big Issue ‘down and outs’ have changed once again. Recently I observed a large group of drunks sitting in a park singing, dancing, begging and at times squabbling. Unlike the early days of the Big Issue many of the people we call ‘down and outs’ would not be rough sleepers. They would be living in social housing, hostels, night shelters or some form of sheltered accommodation. They would receive regular amounts of money from the government, and would receive food and relief from the many, many charities that have been thrown up over the last 20 years. But few, if any would be workers. They are from a new class that has grown steadily since the days of Margaret Thatcher, who drove a coach and horse through the social security legislation. Once offered sparingly, since her time more and more people have been caught on benefits, extending down even to ‘down and outs.’ A workless class has been created with acres of spare time to sit and drink, rather than work in order to sit and drink. It is one of the greatest pieces of social injustice that instead of investing in people away from ‘down and outism’ we have increased their dependency. We have enshrined them in being down and outs. That to me is why even though we don’t have the great battalions of ‘down and outs’ who worked in the poorest part of the poor economy, we still have some of our neediest people outside and beyond our society. And why if Orwell was around now he would be doing a lot of head scratching and writing about this new abusive situation that we live in. An illusion of helping the poorest by giving them state support, but doing nothing for their mental health that keeps them outside of us all. ‘Down and Outs’ have been modernised into dependent recipients. And now of course with the money having run out you can see the trap they have been led into. The Orwell Prize, Britain’s most prestigious prize for political writing, is supported by the Media Standards Trust, Political Quarterly, AM Heath and Richard Blair (Orwell’s son).

Will Self in Wigan

The Orwell Prize, Britain’s most prestigious prize for political writing, is supported by the Media Standards Trust, Political Quarterly, AM Heath and Richard Blair (Orwell’s son). Yesterday the Prize joined Will Self for a Wigan Pier Workshop at Sunshine Community Centre. “Allow your imagination to take flight,” Self said to the teenagers on his second visit to the project. The Wigan Pier workshops were set up early last year by Stephen Armstrong, journalist and writer of The Road to Wigan Pier Revisited, and Barbara Nettleton, director of Sunshine House. The Orwell Prize partnered with the project shortly after the pilot. We have since worked together to take the expertise of writers like Rosie Boycott to young people wanting to write in Wigan. Our next series of workshops will take place in the autumn and we look forward to telling you more about it over the summer. On Self’s talk yesterday, Stephen Armstrong said, “I’d like to see how many Booker prize shortlisted authors could entertain, inspire and enthuse 22 teenagers in a Wigan community centre who started the day restless about being inside on the first sunny day of the year in their Easter holidays. Watching Will Self shatter preconceptions and open young minds was a prize winning piece of work in its own right.”

Shortlist announcement and debate

Next week our judges will begin discussions to pick the six journalists and six books for our 2013 shortlists. On the evening of 17th April we will name these writers live at the University of Westminster. Following the announcement there’ll be a debate focused on the changing situation in Burma. A panel including Julia Farringdon of Index on Censorship, human rights activist Tayzar Moe Myint, Nita May OBE of the BBC Burmese world service and our Director Jean Seaton will discuss the question; “When censorship declines does freedom emerge?” We’d love to see lots of you there for our 20th anniversary year. Places are limited but you can register free here to join us for the announcement, debate and some drinks.

From elsewhere

  • Two Orwell Prize winners – Matthew Parris and Peter Hitchens – will be joining the new BBC Great Lives series
  • Journalism Prize winner Timothy Garton Ash on The euro survives, but where are the Europeans? for The Guardian
  • Kim Jong-Un, George Orwell and a Big Rocket for the Huffington Post by Olly Lennard
  • The diaries

    Don’t forget our other Orwell Diary blogs: his Wartime Diary, Hop-Picking Diary and The Road to Wigan Pier Diary. You can sign up to our newsletter If you’ve got any suggestions about our website(s), we’d love to hear from you – email us on katriona.lewis@mediastandardstrust.org. You can also follow us on Twitter and like us on Facebook.

    Taking Orwell back to Burma

    • The Orwell Prize goes to Burma
    • Leads panels and a lecture at Burma’s first international literary festival
    • Aung San Suu Kyi, Timothy Garton Ash, Rory Stewart and Fergal Keane to speak
    • Gives out hundreds of copies of Burmese Days, Animal Farm and Nineteen Eighty-Four

    The Orwell Prize is in Burma to support and participate in the Irrawaddy Literary Festival, to host debates on Burma’s future, and to give out hundreds of Orwell classics. Aung San Suu Kyi, the patron of the literary festival, will deliver a speech on the festival’s significance for the gradual opening of Burma, on Saturday 2nd February: “I am delighted” Aung San Suu Kyi has said, “to lend my support and personal participation to this first Irrawaddy Literary Festival. Literature has always been a big part of my life and I hope this festival, which brings together some of the finest talent from Burma, the UK and elsewhere will encourage more people to explore the world of literature and further their understanding of the English language” Past Orwell Prize winner Timothy Garton Ash will deliver an Orwell lecture. Zarganar, Rory Stewart, Fergal Keane and Timothy Garton Ash will participate in a panel – ‘Witness of violence’ – on writing under censorship. Jean Seaton, director of The Orwell Prize, will speak on Orwell and Burma. Hundreds of copies of Orwell’s Burmese Days, Animal Farm and Nineteen Eighty-Four, previously banned in Burma, will be given to Burmese attending the festival. The books – which arrived in Rangoon by special delivery on today, have been funded by The Orwell Prize’s ‘Buy a Book for Burma’ campaign as well as generous support from Penguin Books. The Irrawaddy Literary Festival is Burma’s first international literary festival and has been organised by the British Ambassador’s wife Jane Heyn: “The festival’s aim” Heyn says “is to provide a catalyst for the exchange of ideas across cultures, and the event will reflect the extraordinary vibrancy of a country in the midst of immense change”. Director of The Orwell Prize, Jean Seaton says; “Being asked to help at the first literary festival in Burma was impossible to refuse. Orwell would have wanted us to take something back to a place that he owed so much to is a very demanding exciting development for the prize as we wait expectantly for the entries to flood in. Orwell’s values of integrity, realism and clarity have never seemed more appropriate – both at home and abroad.” In 1922 Orwell was posted as a police officer for the British Imperial Service in Burma. He stayed five years and wrote ‘The Hanging’ and ‘Shooting an Elephant’. It was a formative experience and the inspiration for Orwell’s first novel, Burmese Days. Now in its 20th year, this is the Prize’s first trip abroad running panels with their writers. Later on in February they will also take Orwell back to Wigan for workshops with teens by writers including John Hegley and Rosie Boycott as part of a longer term initiative launched by Stephen Armstrong, with Will Self.

    ENDS

    1. The Orwell Prize is Britain’s most prestigious prize for political writing. Every year, prizes are awarded to the work – for the book and for the journalism – which comes closest to George Orwell’s ambition ‘to make political writing into an art’. 2. The Prize was founded by the late Professor Sir Bernard Crick in its present form in 1993, awarding its first prizes in 1994. The Media Standards Trust, Political Quarterly and Orwell Trust are partners in running the Prize, through the Council of the Orwell Prize. Richard Blair (Orwell’s son) is a sponsor, with support from A. M. Heath. 4. For further information, please contact the Operations Manager, Katriona Lewis, at katriona.lewis@mediastandardstrust.org, or on 0207 229 5722.

    Press release: Irrawaddy Literary Festival

    Burma’s first international literary festival featuring a host of renowned authors will take place in Rangoon in February. The Irrawaddy Literary festival at the Inya Lake Hotel will showcase the best of international and local writing from February 1-3. The patron of the event, Daw Aung San Suu Kyi, said: “I am delighted to lend my support and personal participation to this first Irrawaddy Literary Festival. Literature has always been a big part of my life and I hope this festival will encourage more people to explore the world of literature and further their understanding of the English language.” Among the authors lined up to take part are international best-sellers like Vikram Seth, Jung Chang, William Dalrymple and Fergal Keane. The Festival has also secured the attendance of Sudha Shah, Pascal Khoo Thwe, Thant Myint U and Akash Kapur, alongside a host of eminent local literary and cultural figures such as Zarganar, Dr Ma Thida and the celebrated librarian U Thaw Kaung and his son Dr Thant Thaw Kaung. The festival is the brainchild of Jane Heyn who has lived in Burma since 2009. She says: “The festival’s aim is to provide a catalyst for the exchange of ideas across cultures and literary genres and will reflect the extraordinary cultural vibrancy of a country in the midst of immense change”. The cool, airy rooms of the spacious Inya Lake Hotel, usually more accustomed to wedding parties and tourists feasting at the dining room buffet, will become a unique space for words and ideas with workshops, panel discussions and exhibitions of photo-journalism. The spreading lakeside lawns will be transformed to a colourful tented village teeming with bookstalls, handicrafts, and food.The phenomenally skilled Mandalay Theatre puppeteers are bringing their life-like puppetry to the festival. This is a special opportunity to see masters of an ancient entertainment display their artistry. The Festival is pleased to announce the presentation of the inaugural Yoma FMI Short Story Prize. The competition is now open. We invite stories from any young Burmese up to 25 years old. Interested students should submit a fictional story based on the theme of ‘Changing Lives’, not exceeding 2,000 words. There will be two awards of $1,000 – one for the best story written in English, one for the best story written in Burmese. Please send your entry to: info@irrawaddylitfest.com by Friday 18 January 2013. The prize is the initiative of Yoma Strategic Holdings and First Myanmar Holdings, one of the Irrawaddy Literary Festival’s sponsors. Other local backers are MPRL E&P, and the Today Media Group. The British Embassy and the British Council in Rangoon are also supporting the Festival to help strengthen existing cultural links and forge new bonds between the UK and Burma. And The Orwell Prize is lending valuable support, reflecting George Orwell’s close association with Burma, with its ‘Buy a book for Burma’ appeal on their website. Part of the Festival will be dedicated to British Council teachers giving English language workshops for parents and fun educational activities for schoolchildren. Festival tickets will be on sale from 7 January 2013 at the Inya Lake Hotel, the British Council and Today Bookstores. For further details please check the festival website.

    Open the curtains

    This is a guestpost by Jacqueline Crooks, Director of Befriend a Family In September I was invited to join an Orwell Prize panel to discuss poverty then and now in the 75th anniversary year of The Road to Wigan Pier. When reading the work in preparation for the event I was struck by the issues such as homelessness, isolation, and secrecy that Orwell wrote about the inability of the poor to believe in any kind of future. These are the same issues that are experienced by the families we support. I know something about the secrecy of poverty that Orwell wrote about. I grew up on the Havelock Estate in Southall, one of the estates featured in Gavin Knight’s seminal book, Hood Rat. I’ve seen poverty from two perspectives: the personal and the professional. From the 1960’s as a child growing up in a poor migrant family, to the sixteen years I have spent working with disadvantaged children and families in the voluntary sector. Fifty years watching the changing face of poverty. The one thing that hasn’t changed is the curtain of secrecy that occludes the poor. In my work, I spend a lot of time in the homes of vulnerable families. I have seen the desperate ways that they try to conceal the reality of their lives. They paste posters of golden landscapes over black mouldy walls. The posters last a month or so before falling away to reveal the rot and decay behind it. I go to homes on barren estates, stand outside doorways, hear children playing inside. When I knock on the door the house becomes silent. They will not open the door. The house is in no state to receive visitors, even if it is someone who has come to help. They don’t want the world to see how they live. They don’t want to go out into the world to see the good life that everyone else is living. They lock themselves in. They close the curtains. It was something my Mother was always shouting at us: “Close the curtains!” She didn’t want the neighbours to see our poverty. She didn’t want to look out into the world. Our charity took a group of mothers out for a coffee some months ago. Their children were attending our martial arts project and it was an opportunity for us to consult with the mothers informally. The mothers all said it was the first time they had been inside a café, sat at a table and drank ‘expensive’ coffee. They watched the everyday world coming in and out, buying lattes, espressos, cupcakes. They became animated, talked about their childhoods, their talents, their hopes. They were visible. We need to give voice to disadvantaged communities. Some years ago we ran a writing workshop for disadvantaged young people. The young people produced an anthology of short stories called Visible, detailing their lives in poems and short stories. It is a small step – we are a small charity – but an important one all the same. Books like Gwenton Sloley’s, From the streets to Scotland Yard, are important. We need to hear from individuals living in poverty, in their own words. Equally important, are books like Gavin Knight’s Hood Rat and Stephen Armstrong’s The Road to Wigan Pier Revisited. These books attack the secrecy of poverty and its deleterious effect on individuals, families and communities. We also need to hear from small local charities like Befriend a Family who are working hand-in-hand, inside the homes of people who are living in poverty. We raise substantial levels of funding to support families living in poverty. We channel resources from the business sector to families. It is important that the government continues to support small, local charities working at grass roots level. Orwell’s writing sought to open the curtains and it remains relevant as a legacy. Befriend a Family are a charity working with children living in poverty within Westminster, you can support them and see what they do at a special Christmas concert on the evening of Wednesday 5th December at Grosvenor Chapel in Mayfair where Gavin Knight will give a reading from Hood Rat. Proceeds will support families. Get your ticket here