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Clive Stafford Smith

1984 – Guantanámo Bay

 

close-up-cliveGeorge Orwell probably never heard of Guantanámo Bay, but he wrote about it. For some years now, I have had a game I have played to entertain myself when I go to visit my clients there: I take them books and magazines, to see which ones get through the bizarre censors. Jack and the Beanstalk was banned, I never worked out why: perhaps because a detainee would plant a bean in an effort to escape the razorwire fences. Likewise, Runner’s World was banned while Swimming Monthly got in. This was hard to understand since a runner could only escape by weaving through the minefield, whereas perhaps someone could swim across the bay to freedom in Guantanámo City.

Sometimes, the censor’s rational was easy to understand: The Gulag Archipelago was excluded because the military was sensitive about their own sobriquet, The Guantanámo Gulag. But An Innocent Man, by John Grisham, was censored too. Maybe the U.S. military did not like the idea that someone in custody might not be a terrible criminal. Grisham wrote an ironic piece in the New York Times, and his book was finally admitted.

One of the books that I got in for Shaker Aamer was 1984 by Orwell. It was, he said, his favourite secular book. “The Torture is for the Torture,” he pronounced, “the System is for the System.” He read it several times over.

We puzzled over how it passed muster. Surely they understood how it resonated with his experiences in Guantanámo? No, he said, they just did not understand what Orwell was writing about, any more than they had when I brought him Animal Farm, which the likely mistook for an agricultural treatise.

So I asked Shaker to write an educational piece on the book. He took one of the bendy four-inch ballpoints that are all a detainee is allowed and illustrated why the pen is indeed mightier than the sword. Shaker arrived in Guantanámo on Valentine’s Day 2002, just as his youngest son Faris was born in faraway London. He explained the dystopian world of 1984, as it had been replicated 18 years later on a U.S. naval base in Cuba.

Now, belatedly, enlightened as to Orwell’s meaning, the military authorities banned the book.

 


Clive Stafford Smith is the founder and director of Reprieve and the author of two books short-listed for the Orwell Prize (Bad Men, about Guantanámo Bay; and Injustice, the story of Krishna Maharaj, a British man sentenced to death in Florida). Shaker Aamer was eventually released back to Britain in 2015 after 13 years without trial.

Victims of a Map – Carla Mufid and Kanaar Askari

 

Winner of the Orwell Youth Prize 2016, Years 12 and 13

In the summer of 2003, I found my naive young self in Istanbul Ataturk Airport waiting to board a plane with my parents. On calling out for my mother in my native tongue, I was surprised to be silenced with a firm hush.

“Don’t talk in that language!” my mother reprimanded. When I questioned why, my father responded with a brief explanation on how we were not welcome here. Despite the fact that this incident happened well over a decade ago it has been firmly entrenched in my memory.

As the years passed, I found myself in parallel situations. Another childhood incident embedded in my memory took place in my year three geography classroom. On being set the task of finding our home countries, I set about analysing the map in front of me in hope of discovering somewhere on the pink, blue or green shadings, the word Kurdistan.

Following a good twenty minutes of judiciously scanning the globe I was left in a state of confusion. As an eight year old being the only student in the class who had failed the task set proved to be upsetting. Aside from my frustration I also harboured feelings of dismay. My teacher was equally as confused as me; so much so that she left the classroom out of sheer curiosity to ask the receptionist to Google Kurdistan to find out where my mystery land lay.

Ten minutes later the receptionist returned with a sticky note, revealing to my teacher and I that Kurdistan was not on the map, because it was not recognised as an Independent State by the United Nations.

So where is my country? Where is Kurdistan?

The question of “what is a Kurd?” is one that I find myself being asked frequently.

While our historical origins are unclear, many historians link us to the likes of the ancient Medes and Mittanis. Others claim the Kardouchoi who Xenophon, Greek soldier and writer, refers to in his anabasis to be the ancient people who Kurds descend from. I myself favour the mysterious myths involving King Solomon.

Kurds are an ethnic group numbering 35 million, making us the largest without an internationally recognized homeland. Like the Assyrians and Palestinians, artificial borders devised by imperialist powers in the early twentieth century left us stateless. The Kurdish homeland was not only torn through its heart, but shredded into quarters following the Treaty of Lausanne in 1923. Kurdish territory was partitioned between Turkey, Syria, Iraq, and Iran.

It is a sad truth and harsh reality that to the nations who rule over us, our lives are of very little importance. It is the vast amount of resources that can be derived from Kurdish inhabited areas that is the envy of occupying authorities. The Kurdistan Regional Government received $557,272,177 for oil exports in March 2016.

The dehumanisation of Kurdish lives and the avaricious desires of dictators has time and time again resulted in the deliberate shifting of the demographics of Kurdish areas. From 1958 to 2003, Kurds in Iraq were subjected to episodes of mass deportation and ethnic cleansing which maliciously reduced the Kurdish population in the oil rich province of Kerkuk to a minority, while increasing those of the Arab settlers to a majority. The Iraqi government also destroyed 4,000 villages out of 4,655 in the Kurdish Region of Iraq between April 1987 and August 1988.

From the creation of the Turkish state in 1923, under the rule of Mustafa Kemal Ataturk to the current day AKP government that rules Turkey, Kurds have suffered immensely. Decades of forced assimilation, ethnic cleansing and institutionalised racism makes surviving in Turkey as a Kurd an achievement to be applauded.

From Kurdish politicians, actors and musicians to my own friends from North Kurdistan the effects of assimilation enforced by Turkish supremacy are apparent. Be it in their government assigned Turkish surnames, their inability to communicate in their native tongue or the way that many label themselves as Turks when their true ethnic identity is far from this lie. One story that struck me the most regarding the scale of ethnic assimilation forced upon Kurds is a tale from a friend who only discovered she was a Kurd when disembarking a plane which came from Turkey to the UK. Prior to her family’s migration, her parents had simply felt it unsafe to familiarise their young daughter with her ethnicity and culture.

In 1992, Nelson Mandela refused to accept the Atatürk-Peace-Award given to him by Turkey because of the harsh treatment the Turkish government inflicted upon Kurds. Nelson Mandela also went on to condemn the war waged by the Turkish government on the Kurdistan Workers Party as “a war against human rights”.

Kurds – even those without any nationalistic aspirations – are people of ardent and strong characteristics when it comes to their land and culture. Unfortunately, this was not only deemed as a criminal offence in the eyes of Turkey’s founding father Mustafa Kemal Ataturk but almost a century later embracing Kurdish heritage still has the same fatal consequences.

In 2016, I am fortunate enough to be able to securely visit my hometown in Kurdistan. However for some other Kurdish groups this is not a trip they can make so confidently or comfortably; in particular Kurds of the Yezidi faith. Yezidis have been victims of over 70 genocides, the latest being waged by ISIS. In November 2015, Kurdish forces discovered in Sinjar a mass grave with the remains of 78 Yezidi women believed to have been executed by ISIS. Due to the threat from violent extremists, many diaspora Yezidis would be greatly endangered if they were to pay the towns they originate from a visit.

Kurdistan has had a treacherous past full of suffering and injustices and a dismal present with only hope for the future generations.

 

 

Looking Back on the Spanish War

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I

First of all the physical memories, the sound, the smells and the surfaces of things.

It is curious that more vividly than anything that came afterwards in the Spanish war I remember the week of so-called training that we received before being sent to the front – the huge cavalry barracks in Barcelona with its draughty stables and cobbled yards, the icy cold of the pump where one washed, the filthy meals made tolerable by pannikins of wine, the trousered militia-women chopping firewood, and the roll-call in the early mornings where my prosaic English name made a sort of comic interlude among the resounding Spanish ones, Manuel Gonzalez, Pedro Aguilar, Ramon Fenellosa, Roque Ballaster, Jaime Domenech, Sebastian Viltron, Ramon Nuvo Bosch. I name those particular men because I remember the faces of all of them. Except for two who were mere riff-raff and have doubtless become good Falangists by this time, it is probable that all of them are dead. Two of them I know to be dead. The eldest would have been about twenty-five, the youngest sixteen.

One of the essential experiences of war is never being able to escape from disgusting smells of human origin. Latrines are an overworked subject in war literature, and I would not mention them if it were not that the latrine in our barracks did its necessary bit towards puncturing my own illusions about the Spanish Civil War. The Latin type of latrine, at which you have to squat, is bad enough at its best, but these were made of some kind of polished stone so slippery that it was all you could do to keep on your feet. In addition they were always blocked. Now I have plenty of other disgusting things in my memory, but I believe it was these latrines that first brought home to me the thought, so often to recur; ‘Here we are, soldiers of a revolutionary army, defending democracy against Fascism, fighting a war which is about something, and the detail of our lives is just as sordid and degrading as it could be in prison, let alone in a bourgeois army.’ Many other things reinforced this impression later; for instance, the boredom and animal hunger of trench life, the squalid intrigues over scraps of food, the mean, nagging quarrels which people exhausted by lack of sleep indulge in.

The essential horror of army life (whoever has been a soldier will know what I mean by the essential horror of army life) is barely affected by the nature of the war you happen to be fighting in. Discipline, for instance, is ultimately the same in all armies. Orders have to be obeyed and enforced by punishment if necessary, the relationship of officer and man has to be the relationship of superior and inferior. The picture of war set forth in books like All Quiet on the Western Front is substantially true. Bullets hurt, corpses stink, men under fire are often so frightened that they wet their trousers. It is true that the social background from which an army springs will colour its training, tactics and general efficiency, and also that the consciousness of being in the right can bolster up morale, though this affects the civilian population more than the troops. (People forget that a soldier anywhere near the front line is usually too hungry, or frightened, or cold, or, above all, too tired to bother about the political origins of the war.) But the laws of nature are not suspended for a ‘red’ army any more than for a ‘white’ one. A louse is a louse and a bomb is a bomb, even though the cause you are fighting for happens to be just.

Why is it worth while to point out anything so obvious? Because the bulk of the British and American intelligentsia were manifestly unaware of it then, and are now. Our memories are short nowadays, but look back a bit, dig out the files of New Masses or the Daily Worker, and just have a look at the romantic warmongering muck that our left-wingers were spilling at that time. All the stale old phrases! And the unimaginative callousness of it! The sang-froid with which London faced the bombing of Madrid! Here I am not bothering about the counter-propagandists of the Right, the Lunns, Garvins et hoc genus; they go without saying. But here were the very people who for twenty years had hooted and jeered at the ‘glory’ of war, at atrocity stories, at patriotism, even at physical courage, coming out with stuff that with the alteration of a few names would have fitted into the Daily Mail of 1918. If there was one thing that the British intelligentsia were committed to, it was the debunking version of war, the theory that war is all corpses and latrines and never leads to any good result. Well, the same people who in 1933 sniggered pityingly if you said that in certain circumstances you would fight for your country, in 1937 were denouncing you as a Trotsky-Fascist if you suggested that the stories in New Masses about freshly wounded men clamouring to get back into the fighting might be exaggerated. And the Left intelligentsia made their swing-over from ‘War is hell’ to ‘War is glorious’ not only with no sense of incongruity but almost without any intervening stage. Later the bulk of them were to make other transitions equally violent. There must be a quite large number of people, a sort of central core of the intelligentsia, who approved the ‘King and Country’ declaration in 1935, shouted for a ‘firm line’ against Germany in 1937, supported the People’s Convention in 1940, and are demanding a Second Front now.

As far as the mass of the people go, the extraordinary swings of opinion which occur nowadays, the emotions which can be turned on and off like a tap, are the result of newspaper and radio hypnosis. In the intelligentsia I should say they result rather from money and mere physical safety. At a given moment they may be ‘pro-war’ or ‘anti-war’, but in either case they have no realistic picture of war in their minds. When they enthused over the Spanish war they knew, of course, that people were being killed and that to be killed is unpleasant, but they did feel that for a soldier in the Spanish Republican army the experience of war was somehow not degrading. Somehow the latrines stank less, discipline was less irksome. You have only to glance at the New Statesman to see that they believed that; exactly similar blah is being written about the Red Army at this moment. We have become too civilized to grasp the obvious. For the truth is very simple. To survive you often have to fight, and to fight you have to dirty yourself. War is evil, and it is often the lesser evil. Those who take the sword perish by the sword, and those who don’t take the sword perish by smelly diseases. The fact that such a platitude is worth writing down shows what the years of rentier capitalism have done to us.

 

II

In connexion with what I have just said, a footnote, on atrocities.

I have little direct evidence about the atrocities in the Spanish Civil War. I know that some were committed by the Republicans, and far more (they are still continuing) by the Fascists. But what impressed me then, and has impressed me ever since, is that atrocities are believed in or disbelieved in solely on grounds of political predilection. Everyone believes in the atrocities of the enemy and disbelieves in those of his own side, without ever bothering to examine the evidence. Recently I drew up a table of atrocities during the period between 1918 and the present; there was never a year when atrocities were not occurring somewhere or other, and there was hardly a single case when the Left and the Right believed in the same stories simultaneously. And stranger yet, at any moment the situation can suddenly reverse itself and yesterday’s proved-to-the-hilt atrocity story can become a ridiculous lie, merely because the political landscape has changed.

In the present war we are in the curious situation that our ‘atrocity campaign’ was done largely before the war started, and done mostly by the Left, the people who normally pride themselves on their incredulity. In the same period the Right, the atrocity-mongers of 1914-18, were gazing at Nazi Germany and flatly refusing to see any evil in it. Then as soon as war broke out it was the pro-Nazis of yesterday who were repeating horror stories, while the anti-Nazis suddenly found themselves doubting whether the Gestapo really existed. Nor was this solely the result of the Russo-German Pact. It was partly because before the war the Left had wrongly believed that Britain and Germany would never fight and were therefore able to be anti-German and anti-British simultaneously; partly also because official war propaganda, with its disgusting hypocrisy and self-righteousness, always tends to make thinking people sympathize with the enemy. Part of the price we paid for the systematic lying of 1914-18 was the exaggerated pro-German reaction which followed. During the years 1918-33 you were hooted at in left-wing circles if you suggested that Germany bore even a fraction of responsibility for the war. In all the denunciations of Versailles I listened to during those years I don’t think I ever once heard the question, ‘What would have happened if Germany had won?’ even mentioned, let alone discussed. So also with atrocities. The truth, it is felt, becomes untruth when your enemy utters it. Recently I noticed that the very people who swallowed any and every horror story about the Japanese in Nanking in 1937 refused to believe exactly the same stories about Hong Kong in 1942. There was even a tendency to feel that the Nanking atrocities had become, as it were retrospectively untrue because the British Government now drew attention to them.

But unfortunately the truth about atrocities is far worse than that they are lied about and made into propaganda. The truth is that they happen. The fact often adduced as a reason for scepticism – that the same horror stories come up in war after war – merely makes it rather more likely that these stories are true. Evidently they are widespread fantasies, and war provides an opportunity of putting them into practice. Also, although it has ceased to be fashionable to say so, there is little question that what one may roughly call the ‘whites’ commit far more and worse atrocities than the ‘reds’. There is not the slightest doubt, for instance, about the behaviour of the Japanese in China. Nor is there much doubt about the long tale of Fascist outrages during the last ten years in Europe. The volume of testimony is enormous, and a respectable proportion of it comes from the German press and radio. These things really happened, that is the thing to keep one’s eye on. They happened even though Lord Halifax said they happened. The raping and butchering in Chinese cities, the tortures in the cellars of the Gestapo, the elderly Jewish professors flung into cesspools, the machine-gunning of refugees along the Spanish roads – they all happened, and they did not happen any the less because the Daily Telegraph has suddenly found out about them when it is five years too late.

 

III

Two memories, the first not proving anything in particular, the second, I think, giving one a certain insight into the atmosphere of a revolutionary period:

Early one morning another man and I had gone out to snipe at the Fascists in the trenches outside Huesca. Their line and ours here lay three hundred yards apart, at which range our aged rifles would not shoot accurately, but by sneaking out to a spot about a hundred yards from the Fascist trench you might, if you were lucky, get a shot at someone through a gap in the parapet. Unfortunately the ground between was a flat beet-field with no cover except a few ditches, and it was necessary to go out while it was still dark and return soon after dawn, before the light became too good. This time no Fascists appeared, and we stayed too long and were caught by the dawn. We were in a ditch, but behind us were two hundred yards of flat ground with hardly enough cover for a rabbit. We were still trying to nerve ourselves to make a dash for it when there was an uproar and a blowing of whistles in the Fascist trench. Some of our aeroplanes were coming over. At this moment a man, presumably carrying a message to an officer, jumped out of the trench and ran along the top of the parapet in full view. He was half-dressed and was holding up his trousers with both hands as he ran. I refrained from shooting at him. It is true that I am a poor shot and unlikely to hit a running man at a hundred yards, and also that I was thinking chiefly about getting back to our trench while the Fascists had their attention fixed on the aeroplanes. Still, I did not shoot partly because of that detail about the trousers. I had come here to shoot at ‘Fascists’; but a man who is holding up his trousers isn’t a ‘Fascist’, he is visibly a fellow creature, similar to yourself, and you don’t feel like shooting at him.

What does this incident demonstrate? Nothing very much, because it is the kind of thing that happens all the time in all wars. The other is different. I don’t suppose that in telling it I can make it moving to you who read it, but I ask you to believe that it is moving to me, as an incident characteristic of the moral atmosphere of a particular moment in time.

One of the recruits who joined us while I was at the barracks was a wild-looking boy from the back streets of Barcelona. He was ragged and barefooted. He was also extremely dark (Arab blood, I dare say), and made gestures you do not usually see a European make; one in particular – the arm outstretched, the palm vertical – was a gesture characteristic of Indians. One day a bundle of cigars, which you could still buy dirt cheap at that time, was stolen out of my bunk. Rather foolishly I reported this to the officer, and one of the scallywags I have already mentioned promptly came forward and said quite untruly that twenty-five pesetas had been stolen from his bunk. For some reason the officer instantly decided that the brown-faced boy must be the thief. They were very hard on stealing in the militia, and in theory people could be shot for it. The wretched boy allowed himself to be led off to the guardroom to be searched. What most struck me was that he barely attempted to protest his innocence. In the fatalism of his attitude you could see the desperate poverty in which he had been bred. The officer ordered him to take his clothes off. With a humility which was horrible to me he stripped himself naked, and his clothes were searched. Of course neither the cigars nor the money were there; in fact he had not stolen them. What was most painful of all was that he seemed no less ashamed after his innocence had been established. That night I took him to the pictures and gave him brandy and chocolate. But that too was horrible – I mean the attempt to wipe out an injury with money. For a few minutes I had half believed him to be a thief, and that could not be wiped out.

Well, a few weeks later at the front I had trouble with one of the men in my section. By this time I was a ‘cabo’, or corporal, in command of twelve men. It was static warfare, horribly cold, and the chief job was getting sentries to stay awake at their posts. One day a man suddenly refused to go to a certain post, which he said quite truly was exposed to enemy fire. He was a feeble creature, and I seized hold of him and began to drag him towards his post. This roused the feelings of the others against me, for Spaniards, I think, resent being touched more than we do. Instantly I was surrounded by a ring of shouting men: ‘Fascist! Fascist! Let that man go! This isn’t a bourgeois army. Fascist!’ etc. etc. As best I could in my bad Spanish I shouted back that orders had got to be obeyed, and the row developed into one of those enormous arguments by means of which discipline is gradually hammered out in revolutionary armies. Some said I was right, others said I was wrong. But the point is that the one who took my side the most warmly of all was the brown-faced boy. As soon as he saw what was happening he sprang into the ring and began passionately defending me. With his strange, wild, Indian gesture he kept exclaiming, ‘He’s the best corporal we’ve got!’ (¡No hay cabo como el!) Later on he applied for leave to exchange into my section.

Why is this incident touching to me? Because in any normal circumstances it would have been impossible for good feelings ever to be re-established between this boy and myself. The implied accusation of theft would not have been made any better, probably somewhat worse, by my efforts to make amends. One of the effects of safe and civilized life is an immense oversensitiveness which makes all the primary emotions seem somewhat disgusting. Generosity is as painful as meanness, gratitude as hateful as ingratitude. But in Spain in 1936 we were not living in a normal time. It was a time when generous feelings and gestures were easier than they ordinarily are. I could relate a dozen similar incidents, not really communicable but bound up in my own mind with the special atmosphere of the time, the shabby clothes and the gay-coloured revolutionary posters, the universal use of the word ‘comrade’, the anti-Fascist ballads printed on flimsy paper and sold for a penny, the phrases like ‘international proletarian solidarity’, pathetically repeated by ignorant men who believed them to mean something. Could you feel friendly towards somebody, and stick up for him in a quarrel, after you had been ignominiously searched in his presence for property you were supposed to have stolen from him? No, you couldn’t; but you might if you had both been through some emotionally widening experience. That is one of the by-products of revolution, though in this case it was only the beginnings of a revolution, and obviously foredoomed to failure.

 

IV

The struggle for power between the Spanish Republican parties is an unhappy, far-off thing which I have no wish to revive at this date. I only mention it in order to say: believe nothing, or next to nothing, of what you read about internal affairs on the Government side. It is all, from whatever source, party propaganda – that is to say, lies. The broad truth about the war is simple enough. The Spanish bourgeoisie saw their chance of crushing the labour movement, and took it, aided by the Nazis and by the forces of reaction all over the world. It is doubtful whether more than that will ever be established.

I remember saying once to Arthur Koestler, ‘History stopped in 1936’, at which he nodded in immediate understanding. We were both thinking of totalitarianism in general, but more particularly of the Spanish Civil War. Early in life I had noticed that no event is ever correctly reported in a newspaper, but in Spain, for the first time, I saw newspaper reports which did not bear any relation to the facts, not even the relationship which is implied in an ordinary lie. I saw great battles reported where there had been no fighting, and complete silence where hundreds of men had been killed. I saw troops who had fought bravely denounced as cowards and traitors, and others who had never seen a shot fired hailed as the heroes of imaginary victories, and I saw newspapers in London retailing these lies and eager intellectuals building emotional superstructures over events that had never happened. I saw, in fact, history being written not in terms of what happened but of what ought to have happened according to various ‘party lines’. Yet in a way, horrible as all this was, it was unimportant. It concerned secondary issues – namely, the struggle for power between the Comintern and the Spanish left-wing parties, and the efforts of the Russian Government to prevent revolution in Spain. But the broad picture of the war which the Spanish Government presented to the world was not untruthful. The main issues were what it said they were. But as for the Fascists and their backers, how could they come even as near to the truth as that? How could they possibly mention their real aims? Their version of the war was pure fantasy, and in the circumstances it could not have been otherwise.

The only propaganda line open to the Nazis and Fascists was to represent themselves as Christian patriots saving Spain from a Russian dictatorship. This involved pretending that life in Government Spain was just one long massacre (vide the Catholic Herald or the Daily Mail – but these were child’s play compared with the continental Fascist press), and it involved immensely exaggerating the scale of Russian intervention. Out of the huge pyramid of lies which the Catholic and reactionary press all over the world built up, let me take just one point – the presence in Spain of a Russian army. Devout Franco partisans all believed in this; estimates of its strength went as high as half a million. Now, there was no Russian army in Spain. There may have been a handful of airmen and other technicians, a few hundred at the most, but an army there was not. Some thousands of foreigners who fought in Spain, not to mention millions of Spaniards, were witnesses of this. Well, their testimony made no impression at all upon the Franco propagandists, not one of whom had set foot in Government Spain. Simultaneously these people refused utterly to admit the fact of German or Italian intervention, at the same time as the Germany and Italian press were openly boasting about the exploits of their ‘legionaries’. I have chosen to mention only one point, but in fact the whole of Fascist propaganda about the war was on this level.

This kind of thing is frightening to me, because it often gives me the feeling that the very concept of objective truth is fading out of the world. After all, the chances are that those lies, or at any rate similar lies, will pass into history. How will the history of the Spanish war be written? If Franco remains in power his nominees will write the history books, and (to stick to my chosen point) that Russian army which never existed will become historical fact, and schoolchildren will learn about it generations hence. But suppose Fascism is finally defeated and some kind of democratic government restored in Spain in the fairly near future; even then, how is the history of the war to be written? What kind of records will Franco have left behind him? Suppose even that the records kept on the Government side are recoverable – even so, how is a true history of the war to be written? For, as I have pointed out already, the Government also dealt extensively in lies. From the anti-Fascist angle one could write a broadly truthful history of the war, but it would be a partisan history, unreliable on every minor point. Yet, after all, some kind of history will be written, and after those who actually remember the war are dead, it will be universally accepted. So for all practical purposes the lie will have become truth.

I know it is the fashion to say that most of recorded history is lies anyway. I am willing to believe that history is for the most part inaccurate and biased, but what is peculiar to our own age is the abandonment of the idea that history could be truthfully written. In the past people deliberately lied, or they unconsciously coloured what they wrote, or they struggled after the truth, well knowing that they must make many mistakes; but in each case they believed that ‘the facts’ existed and were more or less discoverable. And in practice there was always a considerable body of fact which would have been agreed to by almost everyone. If you look up the history of the last war in, for instance, the Encyclopaedia Britannica, you will find that a respectable amount of the material is drawn from German sources. A British and a German historian would disagree deeply on many things, even on fundamentals, but there would still be that body of, as it were, neutral fact on which neither would seriously challenge the other. It is just this common basis of agreement, with its implication that human beings are all one species of animal, that totalitarianism destroys. Nazi theory indeed specifically denies that such a thing as ‘the truth’ exists. There is, for instance, no such thing as ‘science’. There is only ‘German science’, ‘Jewish science’ etc. The implied objective of this line of thought is a nightmare world in which the Leader, or some ruling clique, controls not only the future but the past. If the Leader says of such and such an event, ‘It never happened’ – well, it never happened. If he says that two and two are five – well, two and two are five. This prospect frightens me much more than bombs – and after our experiences of the last few years that is not a frivolous statement.

But is it perhaps childish or morbid to terrify oneself with visions of a totalitarian future? Before writing off the totalitarian world as a nightmare that can’t come true, just remember that in 1925 the world of today would have seemed a nightmare that couldn’t come true. Against that shifting phantasmagoric world in which black may be white tomorrow and yesterday’s weather can be changed by decree, there are in reality only two safeguards. One is that however much you deny the truth, the truth goes on existing, as it were, behind your back, and you consequently can’t violate it in ways that impair military efficiency. The other is that so long as some parts of the earth remain unconquered, the liberal tradition can be kept alive. Let Fascism, or possibly even a combination of several Fascisms, conquer the whole world, and those two conditions no longer exist. We in England underrate the danger of this kind of thing, because our traditions and our past security have given us a sentimental belief that it all comes right in the end and the thing you most fear never really happens. Nourished for hundreds of years on a literature in which Right invariably triumphs in the last chapter, we believe half-instinctively that evil always defeats itself in the long run. Pacifism, for instance, is founded largely on this belief. Don’t resist evil, and it will somehow destroy itself. But why should it? What evidence is there that it does? And what instance is there of a modern industrialized state collapsing unless conquered from the outside by military force?

Consider for instance the re-institution of slavery. Who could have imagined twenty years ago that slavery would return to Europe? Well, slavery has been restored under our noses. The forced-labour camps all over Europe and North Africa where Poles, Russians, Jews and political prisoners of every race toil at road-making or swamp-draining for their bare rations, are simple chattle slavery. The most one can say is that the buying and selling of slaves by individuals is not yet permitted. In other ways – the breaking-up of families, for instance – the conditions are probably worse than they were on the American cotton plantations. There is no reason for thinking that this state of affairs will change while any totalitarian domination endures. We don’t grasp its full implications, because in our mystical way we feel that a régime founded on slavery must collapse. But it is worth comparing the duration of the slave empires of antiquity with that of any modern state. Civilizations founded on slavery have lasted for such periods as four thousand years.

When I think of antiquity, the detail that frightens me is that those hundreds of millions of slaves on whose backs civilization rested generation after generation have left behind them no record whatever. We do not even know their names. In the whole of Greek and Roman history, how many slaves’ names are known to you? I can think of two, or possibly three. One is Spartacus and the other is Epictetus. Also, in the Roman room at the British Museum there is a glass jar with the maker’s name inscribed on the bottom, ‘Felix fecit’. I have a vivid mental picture of poor Felix (a Gaul with red hair and a metal collar round his neck), but in fact he may not have been a slave; so there are only two slaves whose names I definitely know, and probably few people can remember more. The rest have gone down into utter silence.

V

The backbone of the resistance against Franco was the Spanish working class, especially the urban trade union members. In the long run – it is important to remember that it is only in the long run – the working class remains the most reliable enemy of Fascism, simply because the working class stands to gain most by a decent reconstruction of society. Unlike other classes or categories, it can’t be permanently bribed.

To say this is not to idealize the working class. In the long struggle that has followed the Russian Revolution it is the manual workers who have been defeated, and it is impossible not to feel that it was their own fault. Time after time, in country after country, the organized working-class movements have been crushed by open, illegal violence, and their comrades abroad, linked to them in theoretical solidarity, have simply looked on and done nothing; and underneath this, secret cause of many betrayals, has lain the fact that between white and coloured workers there is not even lip-service to solidarity. Who can believe in the class-conscious international proletariat after the events of the past ten years? To the British working class the massacre of their comrades in Vienna, Berlin, Madrid, or wherever it might be, seemed less interesting and less important than yesterday’s football match. Yet this does not alter the fact that the working class will go on struggling against Fascism after the others have caved in. One feature of the Nazi conquest of France was the astonishing defections among the intelligentsia, including some of the left-wing political intelligentsia. The intelligentsia are the people who squeal loudest against Fascism, and yet a respectable proportion of them collapse into defeatism when the pinch comes. They are far-sighted enough to see the odds against them, and moreoever they can be bribed – for it is evident that the Nazis think it worth while to bribe intellectuals. With the working class it is the other way about. Too ignorant to see through the trick that is being played on them, they easily swallow the promises of Fascism, yet sooner or later they always take up the struggle again. They must do so, because in their own bodies they always discover that the promises of Fascism cannot be fulfilled. To win over the working class permanently, the Fascists would have to raise the general standard of living, which they are unable and probably unwilling to do. The struggle of the working class is like the growth of a plant. The plant is blind and stupid, but it knows enough to keep pushing upwards towards the light, and it will do this in the face of endless discouragements. What are the workers struggling for? Simply for the decent life which they are more and more aware is now technically possible. Their consciousness of this aim ebbs and flows. In Spain, for a while, people were acting consciously, moving towards a goal which they wanted to reach and believed they could reach. It accounted for the curiously buoyant feeling that life in Government Spain had during the early months of the war. The common people knew in their bones that the Republic was their friend and Franco was their enemy. They knew that they were in the right, because they were fighting for something which the world owed them and was able to give them.

One has to remember this to see the Spanish war in its true perspective. When one thinks of the cruelty, squalor, and futility of war – and in this particular case of the intrigues, the persecutions, the lies and the misunderstandings – there is always the temptation to say: ‘One side is as bad as the other. I am neutral’. In practice, however, one cannot be neutral, and there is hardly such a thing as a war in which it makes no difference who wins. Nearly always one stands more or less for progress, the other side more or less for reaction. The hatred which the Spanish Republic excited in millionaires, dukes, cardinals, play-boys, Blimps, and what-not would in itself be enough to show one how the land lay. In essence it was a class war. If it had been won, the cause of the common people everywhere would have been strengthened. It was lost, and the dividend-drawers all over the world rubbed their hands. That was the real issue; all else was froth on its surface.

 

VI

The outcome of the Spanish war was settled in London, Paris, Rome, Berlin – at any rate not in Spain. After the summer of 1937 those with eyes in their heads realized that the Government could not win the war unless there were some profound change in the international set-up, and in deciding to fight on Negrin and the others may have been partly influenced by the expectation that the world war which actually broke out in 1939 was coming in 1938. The much-publicized disunity on the Government side was not a main cause of defeat. The Government militias were hurriedly raised, ill-armed and unimaginative in their military outlook, but they would have been the same if complete political agreement had existed from the start. At the outbreak of war the average Spanish factory-worker did not even know how to fire a rifle (there had never been universal conscription in Spain), and the traditional pacifism of the Left was a great handicap. The thousands of foreigners who served in Spain made good infantry, but there were very few experts of any kind among them. The Trotskyist thesis that the war could have been won if the revolution had not been sabotaged was probably false. To nationalize factories, demolish churches, and issue revolutionary manifestoes would not have made the armies more efficient. The Fascists won because they were the stronger; they had modern arms and the others hadn’t. No political strategy could offset that.

The most baffling thing in the Spanish war was the behaviour of the great powers. The war was actually won for Franco by the Germans and Italians, whose motives were obvious enough. The motives of France and Britain are less easy to understand. In 1936 it was clear to everyone that if Britain would only help the Spanish Government, even to the extent of a few million pounds’ worth of arms, Franco would collapse and German strategy would be severely dislocated. By that time one did not need to be a clairvoyant to foresee that war between Britain and Germany was coming; one could even foretell within a year or two when it would come. Yet in the most mean, cowardly, hypocritical way the British ruling class did all they could to hand Spain over to Franco and the Nazis. Why? Because they were pro-Fascist, was the obvious answer. Undoubtedly they were, and yet when it came to the final showdown they chose to stand up to Germany. It is still very uncertain what plan they acted on in backing Franco, and they may have had no clear plan at all. Whether the British ruling class are wicked or merely stupid is one of the most difficult questions of our time, and at certain moments a very important question. As to the Russians, their motives in the Spanish war are completely inscrutable. Did they, as the pinks believed, intervene in Spain in order to defend democracy and thwart the Nazis? Then why did they intervene on such a niggardly scale and finally leave Spain in the lurch? Or did they, as the Catholics maintained, intervene in order to foster revolution in Spain? Then why did they do all in their power to crush the Spanish revolutionary movements, defend private property and hand power to the middle class as against the working class? Or did they, as the Trotskyists suggested, intervene simply in order to prevent a Spanish revolution? Then why not have backed Franco? Indeed, their actions are most easily explained if one assumes that they were acting on several contradictory motives. I believe that in the future we shall come to feel that Stalin’s foreign policy, instead of being so diabolically clever as it is claimed to be, has been merely opportunistic and stupid. But at any rate, the Spanish Civil War demonstrated that the Nazis knew what they were doing and their opponents did not. The war was fought at a low technical level and its major strategy was very simple. That side which had arms would win. The Nazis and the Italians gave arms to their Spanish Fascist friends, and the western democracies and the Russians didn’t give arms to those who should have been their friends. So the Spanish Republic perished, having ‘gained what no republic missed’.

Whether it was right, as all left-wingers in other countries undoubtedly did, to encourage the Spaniards to go on fighting when they could not win is a question hard to answer. I myself think it was right, because I believe that it is better even from the point of view of survival to fight and be conquered than to surrender without fighting. The effects on the grand strategy of the struggle against Fascism cannot be assessed yet. The ragged, weaponless armies of the Republic held out for two and a half years, which was undoubtedly longer than their enemies expected. But whether that dislocated the Fascist timetable, or whether, on the other hand, it merely postponed the major war and gave the Nazis extra time to get their war machine into trim, is still uncertain.

 

VII

I never think of the Spanish war without two memories coming into my mind. One is of the hospital ward at Lerida and the rather sad voices of the wounded militiamen singing some song with a refrain that ended:

 

‘Una resolucion,
Luchar hast’ al fin!’

Well, they fought to the end all right. For the last eighteen months of the war the Republican armies must have been fighting almost without cigarettes, and with precious little food. Even when I left Spain in the middle of 1937, meat and bread were scarce, tobacco a rarity, coffee and sugar almost unobtainable.

The other memory is of the Italian militiaman who shook my hand in the guardroom, the day I joined the militia. I wrote about this man at the beginning of my book on the Spanish war, and do not want to repeat what I said there. When I remember – oh, how vividly! – his shabby uniform and fierce, pathetic, innocent face, the complex side-issues of the war seem to fade away and I see clearly that there was at any rate no doubt as to who was in the right. In spite of power politics and journalistic lying, the central issue of the war was the attempt of people like this to win the decent life which they knew to be their birthright. It is difficult to think of this particular man’s probable end without several kinds of bitterness. Since I met him in the Lenin Barracks he was probably a Trotskyist or an Anarchist, and in the peculiar conditions of our time, when people of that sort are not killed by the Gestapo they are usually killed by the G.P.U. But that does not affect the long-term issues. This man’s face, which I saw only for a minute or two, remains with me as a sort of visual reminder of what the war was really about. He symbolizes for me the flower of the European working class, harried by the police of all countries, the people who fill the mass graves of the Spanish battlefields and are now, to the tune of several millions, rotting in forced-labour camps.

When one thinks of all the people who support or have supported Fascism, one stands amazed at their diversity. What a crew! Think of a programme which at any rate for a while could bring Hitler, Pétain, Montagu Norman, Pavelitch, William Randolph Hearst, Streicher, Buchman, Ezra Pound, Juan March, Cocteau, Thyssen, Father Coughlin, the Mufti of Jerusalem, Arnold Lunn, Antonescu, Spengler, Beverley Nichols, Lady Houston, and Marinetti all into the same boat! But the clue is really very simple. They are all people with something to lose, or people who long for a hierarchical society and dread the prospect of a world of free and equal human beings. Behind all the ballyhoo that is talked about ‘godless’ Russia and the ‘materialism’ of the working class lies the simple intention of those with money or privileges to cling to them. Ditto, though it contains a partial truth, with all the talk about the worthlessness of social reconstruction not accompanied by a ‘change of heart’. The pious ones, from the Pope to the yogis of California, are great on the ‘changes of heart’, much more reassuring from their point of view than a change in the economic system. Pétain attributes the fall of France to the common people’s ‘love of pleasure’. One sees this in its right perspective if one stops to wonder how much pleasure the ordinary French peasant’s or working-man’s life would contain compared with Pétain’s own. The damned impertinence of these politicians, priests, literary men, and what not who lecture the working-class Socialist for his ‘materialism’! All that the working man demands is what these others would consider the indispensable minimum without which human life cannot be lived at all. Enough to eat, freedom from the haunting terror of unemployment, the knowledge that your children will get a fair chance, a bath once a day, clean linen reasonably often, a roof that doesn’t leak, and short enough working hours to leave you with a little energy when the day is done. Not one of those who preach against ‘materialism’ would consider life livable without these things. And how easily that minimum could be attained if we chose to set our minds to it for only twenty years! To raise the standard of living of the whole world to that of Britain would not be a greater undertaking than the war we are now fighting. I don’t claim, and I don’t know who does, that that wouldn’t solve anything in itself. It is merely that privation and brute labour have to be abolished before the real problems of humanity can be tackled. The major problem of our time is the decay of the belief in personal immortality, and it cannot be dealt with while the average human being is either drudging like an ox or shivering in fear of the secret police. How right the working classes are in their ‘materialism’! How right they are to realize that the belly comes before the soul, not in the scale of values but in point of time! Understand that, and the long horror that we are enduring becomes at least intelligible. All the considerations that are likely to make one falter – the siren voices of a Pétain or of a Gandhi, the inescapable fact that in order to fight one has to degrade oneself, the equivocal moral position of Britain, with its democratic phrases and its coolie empire, the sinister development of Soviet Russia, the squalid farce of left-wing politics – all this fades away and one sees only the struggle of the gradually awakening common people against the lords of property and their hired liars and bumsuckers. The question is very simple. Shall people like that Italian soldier be allowed to live the decent, fully human life which is now technically achievable, or shan’t they? Shall the common man be pushed back into the mud, or shall he not? I myself believe, perhaps on insufficient grounds, that the common man will win his fight sooner or later, but I want it to be sooner and not later – some time within the next hundred years, say, and not some time within the next ten thousand years. That was the real issue of the Spanish war, and of the present war, and perhaps of other wars yet to come.

I never saw the Italian militiaman again, nor did I ever learn his name. It can be taken as quite certain that he is dead. Nearly two years later, when the war was visibly lost, I wrote these verses in his memory:

The Italian soldier shook my hand
Beside the guard-room table;
The strong hand and the subtle hand
Whose palms are only able

To meet within the sound of guns,
But oh! what peace I knew then
In gazing on his battered face
Purer than any woman’s!

For the flyblown words that make me spew
Still in his ears were holy,
And he was born knowing what I had learned
Out of books and slowly.

The treacherous guns had told their tale
And we both had bought it,
But my gold brick was made of gold –
Oh! who ever would have thought it?

Good luck go with you, Italian soldier!
But luck is not for the brave;
What would the world give back to you?
Always less than you gave.

Between the shadow and the ghost,
Between the white and the red,
Between the bullet and the lie,
Where would you hide your head?

For where is Manuel Gonzalez,
And where is Pedro Aguilar,
And where is Ramon Fenellosa?
The earthworms know where they are.

Your name and your deeds were forgotten
Before your bones were dry,
And the lie that slew you is buried
Under a deeper lie;

But the thing that I saw in your face
No power can disinherit:
No bomb that ever burst
Shatters the crystal spirit.

Written August 1942, Sections I, II, III, and VII printed in New Road, June 1943

The Orwell Memorial Lecture 2015

‘War, Words and Reason: Orwell and Thomas Merton on the Crises of Language’

Dr. Rowan Williams

At first sight, it seems hard to imagine a more unlikely pairing than the one announced in this lecture’s title.  George Orwell had a profound dislike of Roman Catholic writers (though – as we shall see later – he accorded a grudging respect to Evelyn Waugh as a literary craftsman), and, had he encountered Thomas Merton – especially the earlier Merton – he would undoubtedly have recoiled.  Not that Merton was exactly a conventional religious writer.  He became a Catholic in 1938 after a distinctly rackety youth, and spent most of the rest of his life as a Trappist monk in the Unites States.  But he wrote copiously, corresponding with a wide range of literary figures, including Henry Miller, James Baldwin, Czeslaw Milosz, Boris Pasternak and several Latin American poets, some of whose work he also translated; another surprising friend was Joan Baez.  He left behind him, in addition to a huge amount of journal material and many books on prayer and monasticism, a couple of incomplete drafts for novels and a fair quantity of poetry, published and unpublished, some of it dramatically ‘experimental’ in style. This year is the centenary of his birth, and the worldwide interest in his work shows no sign at all of decreasing: some 500 people attended the centenary conference about him in Kentucky this last June.  Yet when all’s said and done, he is not on the face of things a natural partner for Orwell, despite his literary contacts and concerns: he remains a wholly committed catholic Christian, and in his first published works he is, for all his extensive literary culture, often dogmatically partisan in his dismissal of all that lies outside the Catholic sphere.

He moved a fair way from this over the years; by the mid 1960’s, he was vocal in his criticisms of the Vietnam war, of the stockpiling of nuclear arms, and of racial segregation and injustice in the USA.  His correspondents now included not only poets and novelists, but peace activists and Catholic radicals like Daniel Berrigan and Dorothy Day, as well as a growing number of Buddhist and Muslim friends.   But what is most interesting for our purposes is that a central element in his critique of militarism was a stinging analysis of the language of war and weaponry.  And this is where the conversation with Orwell might begin (it’s worth noting in passing that he did not read Orwell’s ‘Politics and the English Language’ until August 1967; he admired it greatly – but interestingly his first reaction is to apply it to his own more ‘official’ writing commissions).  Earlier in 1967, he published an essay on ‘War and the Crisis of Language’, in which he develops a distinctly Orwellian polemic against the corruption of writing itself by certain aspects of modernity.  Beginning with the language of advertising (‘endowed with a finality so inviolable that it is beyond debate and beyond reason’), he works through the implications of this linguistic world in which breakfast cereals, cars and cosmetics are spoken of in the language of theology and metaphysics towards a discussion of the idiom of military planning – ‘as esoteric, as self-enclosed, as tautologous as the advertisement we have just discussed.’  The speech of strategists and of politicians talking about military strategy is characterised by a narcissistic finality.  There can be no real reply to the careful and reasonable calculation of the balance of mass killing in a nuclear war, because everything is so organised that you are persuaded not to notice what it is you are talking about.  And when that happens, you cannot intelligently converse or argue: all there is is the definitive language imposed by those who have power.  It is a natural extension of the language habitually used to describe the processes of other kinds of war.  Merton relished the comment of an American commander in Vietnam: ‘In order to save the village, it became necessary to destroy it’, and memorably summed up the philosophy of many supporters of the Vietnam intervention:

‘The Asian whose future we are about to decide is either a bad guy or a good guy.  If he is a bad guy, he obviously has to be killed.  If he is a good guy, he is on our side and he ought to be ready to die for freedom.  We will provide an opportunity for him to do so: we will kill him to prevent him falling under the tyranny of a demonic enemy.’

The main point in all this is that creating a language which cannot be checked by or against any recognisable reality is the ultimate mark of power.  The trouble with what Merton characterises as ‘double-talk, tautology, ambiguous cliché, self-righteous and doctrinaire pomposity and pseudoscientific jargon’ is not just an aesthetic problem.  It renders dialogue impossible; and rendering dialogue impossible is the ultimately desirable goal for those who want to exercise absolute power.  Merton was deeply struck by the accounts of the trial of Adolf Eichmann, and by Hannah Arendt’s discussions of the ‘banality’ of evil.  The staggeringly trivial and contentless remarks of Eichmann at his trial and before his execution ought to frighten us, says Merton, because they are the utterance of the void: the speech of a man accustomed to power without the need to communicate or learn or imagine anything.  And that is why Merton insists that knowing how to write is essential to honest political engagement.  In an essay – significantly – on Camus, whom he, like Orwell, admired greatly, Merton says that the writer’s task ‘is not suddenly to burst out into the dazzle of utter unadulterated truth but laboriously to reshape an accurate and honest language that will permit communication…instead of multiplying a Babel of esoteric and technical tongues.’  Against the language of power, which seeks to establish a sort of perfect self-referentiality, the writer opposes a language of ‘laborious’ honesty.  Instead of public speech being the long echo of absolute and unchallengeable definitions supplied by authority – definitions that tell you once and for all how to understand the world’s phenomena – the good writer attempts to speak in a way that is open to the potential challenge of a reality she or he does not own and control.  When the military commander speaks of destroying a village to save it, the writer’s job is to speak of the specific lives ended in agony.  When the agents of Islamist terror call suicide bombers ‘martyrs’, the writer’s job is to direct attention to the baby, the Muslim grandmother, the Jewish aid worker, the young architect, the Christian nurse or taxi-driver whose death has been triumphantly scooped up into the glory of the killer’s self-inflicted death.  When – as it was a couple of months ago – the talk is of hordes and swarms of aliens invading our shores, the writer’s task is to focus on the corpse of a four year old boy on the shore; to the great credit of many in the British media, there were writers (and cartoonists and photographers too) who rose to that task.

Merton is concerned about what happens to our idea of ‘rationality’ in all this.  He observes drily that when we express our concern about nuclear armaments falling into the hands of ‘irrational’ agents who cannot be trusted, the implication is that we are the ones who exemplify sanity; so that if and when nuclear armaments are used, we can be reassured that the decision will have been a reasonable one.  Slightly cold comfort, as he says.  But this is only the most extreme version of the logic of all violent conflict.  In another essay on war, Merton argues that it is not really true that war happens when reasoned argument breaks down; it is more that ‘reason’ has been used in such a way that it subtly and inevitably moves us towards war.  In one sense Clausewitz was right: war is the continuation of diplomacy by other means.  The rationality which increasingly asserts that only our position is sane necessarily defines the opponent as lacking reason and thus lacking ‘proper’ language.  We don’t need to talk to them; which means that we don’t ultimately share a world with them; which means that their death is not an issue for us.  ‘Listening is obsolete.  So is silence.  Each one travels alone in a small blue capsule of indignation’ (another text from 1967).

In the summer of 2014, I visited South Sudan to find out more about a number of local development projects supported by Christian Aid.  The horror that had been experienced in the preceding months as the country descended into civil war was appalling enough (thank God that at last the media here is beginning to attend).  But for me the revelatory moment was realising that the conflict between the two factions in the country was not ‘about’ anything: it was a matter of sheer personal rivalry and power lust (as well as ordinary greed).  Those who had attended the peace talks in Addis Ababa confirmed that there was in a way nothing to talk about, nothing to negotiate; the only agenda was who would prevail, and considerations of the good of Sudanese society had no traction whatsoever.  Each side travelled alone.  Each gratefully assimilated the atrocities of the other side as justification for their own.  Rationality had shrunk to the size of a pair of egos wholly detached from any other reality; Merton’s diagnosis seemed (and seems) exactly apt.

Readers of Orwell will by now have felt, I imagine, more than a flicker of recognition.  The great 1946 essay on ‘Politics and the English Language’, along with several of the pieces Orwell was writing in his last years, is not about the aesthetics of writing, as the title makes plain – though it has often been used simply to make a point about the decline of the language.  Orwell is clear that linguistic degeneration is both the product and the generator of economic and political decadence.  And if so, the critique of this degeneration is not a matter of ‘sentimental archaism’ but an urgent political affair.  Like Merton, he identifies the stipulative definition as one of the main culprits: a word that ought to be descriptive, and so discussable, comes to be used evaluatively.  ‘Fascism’ means ‘politics I/we don’t like’; ‘democracy’ means ‘politics I/we do like’.  ‘Consequently the defenders of every kind of regime claim that it is a democracy, and fear that they might have to stop using the word if it were tied down to any one meaning.’  Bad enough (and interestingly there is a not very well-known essay of 1944 by C.S. Lewis making the same general point); but this is really just a symptom of a deeper malaise.  Vagueness, mixed metaphor, ready-made phrases, ‘gumming together long strips of words’, pseudo-technical language are ways of avoiding communication.  And those whose interest is in avoiding communication are those who do not want to be replied to or argued with.  This sort of language aims to make us ignore the reality that lies in front of it and us. ‘People are imprisoned for years without trial or shot in the back of the neck or sent to die of scurvy in Arctic labour camps; this is called elimination of unreliable elements.’  Just as for Merton, the lethal danger in prospect is a form of speech that silences the imagination of what words truly refer to.  It denies the shared world in the name of a world controlled by self-referential power.

Orwell’s rules for writing well have become familiar: don’t use secondhand metaphors, don’t use long words where short ones will do, abbreviate, use the active not the passive, never use a foreign phrase when you can find an everyday alternative in English.  They are rules designed to communicate something other than the fact that the speaker is powerful enough to say what he or she likes.  Bad or confused metaphor (Orwell has some choice examples of which my favourite is ‘The Fascist octopus has sung its swan song’) presents us with something we can’t visualise; good metaphor makes us more aware, aware in unexpected ways, of what we see or sense.  So bad metaphor is about concealing or ignoring; and language that sets out to conceal or ignore and make others ignore is language that wants to shrink the limits of the world to what can be dealt with in the speaker’s terms alone.

But there is something more to be said, which Orwell, a stout enemy of literary modernism, doesn’t quite want to say.  In some earlier essays, he had argued that it wouldn’t be the end of the world if literature became less obviously sophisticated, if the range of cultural reference in our writing had to be reduced in order to open it up to more participants.  Without quite anticipating the more recent debates about whether there is a real difference between ‘high’ and ‘low’ culture, there is in his work a consistent strand of scepticism about anything that looks like complexity for its own sake, and – as in the famous essay we’ve just been looking at – a feeling that it ought to be possible to say things straightforwardly.  And this is where he and Merton might part company.  Merton was an enthusiastic modernist in this respect.  A good deal of his poetry and some of his prose is written under heavy Joycean influence, and his letters to his old friend, the poet Robert Lax, use a bewildering macaronic style, bursting with puns and allusions and intricate wordplays. It is one of the ways in which he obeys his own injunction to be ‘laborious’.  He can even say that, on top of the obligation to write ‘disciplined prose’, a writer has ‘the duty of first writing nonsense…to let loose what is hidden in our depths, to expand rather than to condense prematurely.’

The paradox that Merton is asserting is that in order to be honest the writer sometimes has to be difficult; and the problem facing any writer who acknowledges this is how to distinguish between necessary or salutary difficulty and self-serving obfuscation of the kind both he and Orwell identify as a tool of power.  I doubt whether there is a neat answer to this.  But I suspect that the essential criterion is to do with whether a writer’s language – ‘straightforward’ or not – invites response.  Both Merton and Orwell concentrate on a particular kind of bureaucratic redescription of reality, language that is designed to be no-one’s in particular, the language of countless contemporary manifestos, mission statements and regulatory policies, the language that dominates so much of our public life, from health service to higher education.  This is meant to silence response.  Nobody talks like that, to quote Jack Lemmon’s immortal comment to Tony Curtis in Some Like it Hot.  And so no-one can answer; self-referential power triumphs again.  In its more malign forms, this is also the language of commercial interests defending tax evasion in a developing country, or worse, governments dealing with challenges to human rights violations, or worst of all (it’s in all our minds just now) of terrorists who have mastered so effectively the art of saying nothing true or humane as part of their techniques of intimidation. In contrast, the difficulty of good writing is a difficulty meant to make the reader pause and rethink.  It insists that the world is larger than the reader thought, and invites the reader to find new ways of speaking.  In that sense, properly ‘difficult’ writing is essentially about response: it may in the short term draw attention to its own complexity, but it does so in order that the reader may move away from the text to think about what it is in the world around that prompts such complexity. The final test is whether it makes us see more or less; whether or not it encourages us to ignore.

Orwell might still not be convinced.  But I’m not quite sure.  In his wonderful essay on Jonathan Swift, ‘Politics vs. Literature’, he resists – a bit more strongly, I think, than he would have done a few years earlier – the idea that a good book must be ‘more or less “progressive” in tendency.’  Swift is a great writer, but not because he is ‘right’: Orwell believes that Swift is unambiguously an enemy who must be fought, because he is ultimately an enemy of the human as we know it.  But what Swift does is to take something any intelligent reader can recognise – the sense of futility and revulsion about the physical world and the idiocies and vanities of human agents – and describe the world as if these were the only things of significance in it.  Orwell describe this as Swift consciously distorting the world ‘by refusing to see anything…except dirt, folly and wickedness’; and this of course sounds initially like writing that is trying to make the reader see less – just what we have identified as the essence of really bad and poisonous writing.  But I think the point is a bit different, and could be phrased in other ways than the ones Orwell uses.  Swift knows what we, his readers, all know: that most of the time we don’t want to consider the unacceptable physicality of our lives or the embarrassing vacuity of our individual and social attempts at affirming our moral credentials.  So let’s have an imagined world in which these things are made inescapable; not in a way that invites us to deny what we know but in a way that invites us to see what we have been denying; which is something very different from a text that tells us not to see what is there.  Swift, like any good writer in Merton’s or Orwell’s framework, is telling us that reality is more than we’d like it to be, and that, if we are trying to be honest, we have to engage with what we don’t like or are afraid of.  That invitation may be made by someone whose political or ideological or religious aims are repugnant; but if what he or she writes is recognisable, honesty requires us to keep reading and to admit when the writer’s strategy is well-realised.

And this, I suppose, helps to make sense of Orwell’s conclusion to the essay on Swift – a conclusion that is not as simple as he makes it sound. ‘One can imagine a good book being written by a Catholic, a Communist, a Fascist, a Pacifist, an Anarchist, perhaps by an old-style Liberal or an ordinary Conservative: one cannot imagine a good book being written by a spiritualist, a Buchmanite or a member of the Ku Klux Klan.’ Allowing for the slightly dated references (there are not that many Buchmanites – adherents of Frank Buchman’s ‘Moral Re-Armament’ movement in its original shape – around these days), the argument is still a provocative one.  There are systems of belief that are intrinsically not capable of generating serious writing; presumably because they are not really capable of seeing specific truths in a way that can renew or reshape the reader’s world.  They may be simply dogmatic schemes without intellectual curiosity; they may be infinitely more lethal varieties of terror and bigotry.  They begin with the sort of denials that guarantee dead and self-referring language.  They give us nothing to recognise; or perhaps they fail to create in us the sense of a serious question because they are so confident of having a final answer.  Orwell grants, in other words, that even a comprehensive ideology like Catholicism or Communism will be arguing about its answers, in ways that engage the outsider: we know why they think these questions matter, even if we have no time for their answers.  The trouble with the systems Orwell writes off is that they fail to let us sense why the issues that they are worried about should matter to anyone.

Not a wholly clear argument, but it gives us some interesting criteria, once again, for identifying serious writing.  Serious writing points to enough of a common world for disagreement to be worthwhile.  Stale ideological writing never moves outside its comfort zone; bureaucratic and pseudo-technical language is indifferent to replies.  You can’t disagree; but the systems Orwell thinks are capable of producing something worthwhile are precisely systems that begin with recognisable human questions – not puzzles to which an esoteric philosophy provides solutions but themes that human beings as such characteristically worry about.  Interesting that he allows the possibility of a good book being written by a Catholic: only a few months earlier, he had written in an essay on ‘The Prevention of Literature’ that Catholicism ‘seems to have a crushing effect upon certain literary forms, especially the novel’, and asked ‘how many people have been good novelists and good Catholics?’ in the last few centuries.  Yet in 1949, he concluded that Evelyn Waugh was ‘abt [sic] as good a novelist as one can be…while holding untenable opinions’.  The Swift essay seems to have clarified somewhat his problem with the quality of writing by people holding unacceptable positions, and it would have been good to have the completed essay on Waugh that he was planning in his last months. But the point is of wider application: the relation between politics and literature is increasingly recognised by Orwell as a complex affair.  Bad writing is politically poisonous; good writing is politically liberating – and this is true even when that good writing comes from sources that are ideologically hostile to good politics (however defined).  The crucial question is whether the writing is directed to making the reader see, feel and know less or more.  And the paradox is that, even faced with systems that stifle good writing and honest imagining, the good writer doesn’t respond in kind but goes on trying to fathom what the terrorist and the bigot are saying to makes sense of people who don’t want to make sense of him or her.  Failing to do that condemns us to bad writing and bad politics, to the language of total conflict and radical dehumanisation.

Orwell wasn’t all that interested in poetry, and in the essay on ‘The Prevention of Literature’ distinguishes between the way in which poetry might survive in a totalitarian situation where (good) prose would not.  But it is clear from his text that he is thinking only of the kind of poetry that is a technically accomplished celebration of public values.  He doesn’t seem to think of poetry as necessarily a means of seeing more; Merton’s insistence in his ‘War and the Crisis of Language’ that a poet is ‘most sensitive to the sickness of language’ would not necessarily have found an echo.  And Orwell revealingly connects prose writing with post-Reformation ‘rationality’: the essay and the novel, the paradigms of Protestant writing, are what totalitarianism threatens.  It is as if poetry is more ‘Catholic’ and so less inherently truthful or critical in Orwell’s world; it can look after itself under Stalinism because what matters in poetry is not the ‘thought’ but the form.  Akhmatova, Mandelstam and others might have a view on this. But it is a mark of both Orwell’s consistency and his tone-deafness in certain respects that he makes these curious judgements.  For him, what most seriously opposes totalitarianism is the rationality of clear prose.  Yet, left to itself, this would be no more than another stipulative definition of ‘reason’; to flesh out the nature of literary resistance to totalitarianism we need a broader account of reason than this, which will allow us to think of poetry as both a challenge to some forms of putative linguistic sanity and a bid for another level of ‘reasonable’ discourse. Merton’s own ground for this is in a sophisticated theology of how the silence of God demands our own silence; and this silence uncovers for us the basic truth that speech itself arises not from the contests of power but from the imparting of life (‘In the beginning was the Word…In him was life’).  We do not have to compete with God or one another; the ‘rational’ mode of life in the world of language is exploratory, celebratory, discovering constantly new perspectives – and thus not confined to even the best expository prose.  Modernism – Joycean or otherwise – has its unexpected theological place, on the other side of silence.

Whether Orwell might have accepted at least Merton’s conclusion is impossible to say.  But the Orwell who so stubbornly resisted the instrumentalising of language for political ends would have fought ultimately on the same side.  Uttering the unacceptable in prose and exploring the elusive, not-yet-captured depth of things in poetry have in common the crucial recognition that we shan’t learn about ourselves or our world – including our political world – if we are prevented from hearing things to argue with and things that leave us frustrated and (in every sense) wondering.  Our current panics about ‘offence’ are at their best and most generous an acknowledgement of how language can encode and enact power relations (my freedom of ‘offending’ speech may be your humiliation, a confirmation of your exclusion from ordinary public discourse).  But at its worst it is a patronising and infantilising worry about protecting individuals from challenge; the inevitable end of that road is a far worse entrenching of unquestionable power, the power of a discourse that is never open to reply.  Debates about international issues like Israel and Palestine, or issues of social and personal morals – abortion, gender and sexuality, end of life questions – are regularly shadowed by anxiety, even panic, about what must not be said in public, and also by the sometimes startlingly coercive insistence on the ‘rational’ and canonical status of one perspective only.  On both sides of all such debates, there can be a deep unwillingness to have things said or shown that might profoundly challenge someone’s starting assumptions.  If there is an answer to this curious contemporary neurosis, it is surely not in the silencing of disagreement but in the education of speech: how is unwelcome truth to be told in ways that do not humiliate or disable? And the answer to that question is inseparable from learning to argue – from the actual practice of open exchange, in the most literal sense ‘civil’ disagreement, the debate appropriate to citizens who have dignity and liberty to discuss their shared world and its organisation and who are able to learn what their words sound like in the difficult business of staying with such a debate as it unfolds.  Some years ago, I heard someone describing an event in the Holy Land where women from Israeli and Palestinian communities were being invited to speak with each other.  The facilitator began by encouraging the Israelis present not to use the word ‘terrorism’ and the Palestinians not to use the word ‘occupation’.  This was not a refusal to admit that both words describe unquestionable realities (or that there comes a time to use those words again); it was an invitation to an experiment in speaking so that response was not foreclosed. I don’t remember whether it worked; but I remember the sense of imaginative challenge: the pain and anger of actual dialogue (that word which is so bland and Pollyannaish as we usually hear it).

Orwell lists the sort of beliefs he thinks provide viewpoints worth arguing with.  And one of the things they have in common is that they represent ongoing arguments; they have a history of internal debate.  They continue to generate new way of articulating and refining their perspectives.  The implication is that good writing comes from a sense of conversation already begun.  We never have a world in front of us that has not been talked about and interpreted, and a philosophy that understands and accepts this is one that may be worth listening to.  Part of the problem with the language excoriated by Merton and Orwell alike is its aspiration to timelessness; because of course an unquestioned power has no history.  Its great claim is that it is natural, obvious, it never has to be learned or tested.  One of the most paralysing aspects of any uncritical orthodoxy is a lack of interest in or a positive denial of the process of learning what you believe you know.  And it is at this level that an intelligent philosophy or ideology can move beyond sheer self-assertion and self-reference.  Once we acknowledge that we speak as individuals who always have a location in time as well as space, we are that much freer to assume that our current language is still moving forward or outward.  This certainly doesn’t mean an irresistible historical trajectory towards consensus or towards a weakening of distinctive commitments; but it at least allows that what can be said at any one moment is unlikely to capture everything that could or should be said.  And if so, there is going to be some space in even the most comprehensive and ambitious of the philosophies Orwell lists for the work of the imagination, for making the world strange again. What both our authors are worried about in ‘late modernity’ could be expressed as a fear of the world being made strange – a fear common to murderous totalitarianisms and to the ‘timeless’ managerial culture of so many contemporary institutions.  You don’t have to think that the one is as bad as the other to recognise that there is an uncomfortable convergence in this nervousness about language that doesn’t behave appropriately, language that suggests there may after all be a reply waiting to be made.

Of all the various lessons to be learned from Merton and Orwell as analysts of linguistic decadence, the most obvious is that literature and drama are not a luxury in society.  Politics can’t avoid the drift towards the twin abysses of totalitarianism and triviality if it refuses to face the perils of this decadence. Good writing is many things.  For Orwell it is primarily to do with the capacity for reasoned prose and the sustained personal narratives of classical fiction.  For Merton, it includes some wilder elements, the freedom for wordplay and the absurd, as well as poetic experimentation.  But it is always writing that declines to close down either perception or argument.  This is how good writing defends us from absolute power or – which comes to much the same thing – absolute social stasis.  It leaves a trail to be followed and asks questions that require an answer: it pushes towards a future.  This obviously doesn’t mean – recalling Orwell’s observation – that good writing is ‘progressive’; only that it is aware of being between past and future, living in time.  And Merton, with another theological twist that Orwell would probably not have much appreciated, also implies that if our fundamental human problem is ‘Prometheanism’, wanting to steal divinity from God rather than labouring at being human, then good writing, with its inbuilt ironies and its awareness of its own conditions, is one of the things that stops us imagining we are more than human.

Perhaps that’s as good a definition of good writing as we’re going to find.  Destructive politics is inevitably bound up with forgetfulness of our humanity, in one way or another – the organised inhumanity of tyranny, the messianic aspirations of Communism, the passion for control on the part of managerial modernity, the naked and brutal murderousness of terrorism.  But Merton explicitly and Orwell implicitly remind us that this is not just about bad governance or oppression.  If we talk and write badly, dishonestly, unanswerably, what we are actually doing is getting ready for war. The habits of mind that make war inevitable are the habits of bad language – that is to say, the habits that grow from uncritical attitudes to power and privilege: contempt towards the powerless, towards minorities, towards the stranger, the longing for an end to human complexity and difference.  Orwell explicitly and (perhaps) Merton implicitly are trying to identify the all-important possibility that we may passionately quarrel, even that we may fight to defend ourselves against political evil in one way or another, without simply buying in to various kinds of totalitarianism, overt or covert.  Orwell has an almost mediaeval sense of what is involved in battling to the death to defend yourself against an enemy for whom you retain a degree of simply human respect, in that you do not seek to dehumanise them, to put them once and for all outside the boundaries of human discourse and exchange.

However we pursue that fight (not exactly an academic question today; and Orwell and Merton would disagree sharply here, I think, given Merton’s near-pacifism), the central moral question is whether we are going to use the language of tautology and self-justification, the language that gives us alone the right to be called reasonable and human, or whether we labour to discover other ways of speaking and imagining.  If we settle for the former, we are already planning the next round of violence.  The latter is hard and counter-intuitive because it does not promise what we most of us secretly long for, a simple end to conflict and complication.  But it is the very opposite of resignation, because it summons the writer to work, to the constant creation and re-creation of an authentically shared culture – the pattern of free and civil exchange that is neither bland nor violent.  The ‘small blue capsule of indignation’ has to be punctured again and again.  And if Merton is right, that means the writer needs rather more than just ideas; she or he needs something of the contemplative liberty to sift out the motivation towards bad writing that comes from the terrors and ambitions of the ego, and find the liberty to allow words to arrive both fresh and puzzling.  Easy to imagine Orwell’s raised eyebrows at the thought of his contemplative vocation; but if this brief attempt at staging an encounter between these two passionate and contentious writers has come anywhere near the truth, that’s what might have to be said about the calling not only of Orwell but of any writer worth reading.


Dr Rowan Williams, former Archbishop of Canterbury, gave the 2015 Orwell Lecture on 17th November 2015, at University College London.

Previous winners

Read the winning work from our young writers. You can also find out more about our previous themes by clicking on the prize year.

The Orwell Youth Prize 2023: Who’s in Control?

Winners

Runners up

 


 

The Orwell Youth Prize 2022: Coming Up For Air

Winners

Runners up

 


 

The Orwell Youth Prize 2021: A New Direction

Winners

Runners up

 


 

The Orwell Youth Prize 2020: The Future We Want

Winners

Runners up

 


 

The Orwell Youth Prize 2019: A Fair Society?

Winners

Runners up

 


 

The Orwell Youth Prize 2018

Winners

 


 

The Orwell Youth Prize 2017

Winners

 


 

The Orwell Youth Prize 2016

Winners

 


 

The Orwell Youth Prize 2015

Winners

2016 Winners

Elizabeth Paris, Chair, presents winners of the Orwell Youth Prize 2016 with the works of George Orwell

Elizabeth Paris, Chair, presents winners of the Orwell Youth Prize 2016 with the works of George Orwell

The winners of the Orwell Youth Prize 2016 were announced at the Celebration Day, held at Pembroke College Oxford on Friday 24th June 2016.

Every entry was reviewed by at least two assessors. The winners were chosen by Professor Jean Seaton, Director of the Orwell Prize and Amelia Gentleman, Social Affairs Writer at the Guardian.

The Prizes were presented by Bill Hamilton (Trustee of the Orwell Youth Prize and Executor of the Orwell Estate), Professor Jean Seaton and Rachel Goode of Oxford University Press.

The Winners in the Lower Age Cateory (Years 9, 10 and 11) were:

Emily Wicks, Hide and Seek

Ben Ettridge, Are we setting children up to fail?

Celia Bergin, Gray Area

Charissa Cheong, Liberty for the Builder’s Son

 The Winners in the Upper Age Cateory (Years 12 and 13) were:

Alexander Butcher, Untitled Essay

Kanaar Askari and Carla Mufid, Victims of a Map

Anna Morris, The Voice of a Benefits Claimaint

The following entries were Highly Commended:

Arthur Attenborough, Prolonged Holiday

Matthew Barrett, The Truth

Elvina Chidley, The Parasite

Hallie Davies, A Blurry Sense of Equality

Owen Dearman, Taking Ancient Liberties

Maeve Dolan, Why must we suppress thought process?

Tyrell Gabriel, ‘I Have a Dream’: Pt. 2

Lydia Houghton, Untitled Story

Aditi Mehendale, Media

Ella Myatt, The Impasse

Ellie Nevin, An Ode to my Mother

Sara Olukoga, The Media: No.1 Recruitment Agency for ISIS

Curtis Parfitt-Ford, Whoops there goes your rights

Amber Syed, Untitled

The Runners Up in the Lower Age Category (Years 9, 10 and 11) were:

Lauren Brewer, I’m Still Here

Mollie Burns, It’s Our Right

Jacob Harris, We Should Have

Daisy Leason, Untitled Essay

Lucas Pringle, Liberty Essay 2

Shaina Sangha, A Plea in the Dark

Rosa Ward, Untitled

The Runners Up in the Upper Age Category (Years 12 and 13) were:

Ellie Bowers, Unseen and Unspoken

Eren Balkir, The attack on Free Speech within the UK

Sam FitzPatrick, Truth in the Media

Jennifer Frost, The Olmersham Theatre

Max Glynn, An Open Letter to Modern Liberty (unable to be here today)

James Smith, Untitled Essay

FAQs

Here you can find the answers to some frequently asked questions. Please contact us if your question is not answered here.

What are The Orwell Prizes and what do they aim to do?

The Orwell Prizes aim to encourage good writing, reporting and thinking about politics. Every year since 1993, we have awarded prizes for books and journalism which come closest to George Orwell’s ambition ‘to make political writing into an art’.

The Orwell Prize for Books was originally awarded to a work of non-fiction or fiction. Thanks to the support of Richard Blair, we currently award two book prizes: The Orwell Prize for Political Writing and The Orwell Prize for Political Fiction.

Our Journalism Prize rewards and encourages work in any medium, while The Orwell Prize for Exposing Britain’s Social Evils, previously and for many years sponsored by the Joseph Rowntree Foundation, has a special remit to encourage reporting which extends the reach of traditional media.

The new Prize for Reporting Homelessness, sponsored by the Centre for Homelessness Impact, aims to celebrate evidence-led reportage and/or commentary on homelessness in any medium.

The Orwell Foundation, which awards the Prizes, is a charity dedicated to promoting public understanding of and interest in politics and current affairs through free public events and various other projects. As the only website officially sanctioned by the Orwell Estate, we also publish work by George Orwell (including our Webby-shortlisted Orwell Diaries blog) and articles about Orwell as well as other online resources.

The Orwell Foundation is distinct from, but works closely with, the Orwell Estate, The Orwell Society, and The Orwell Trust.

How many awards are there?

At the moment, the Foundation awards five Prizes each year:

  • The Orwell Prize for Political Writing
  • The Orwell Prize for Political Fiction
  • The Orwell Prize for Journalism
  • The Orwell Prize for Exposing Britain’s Social Evils
  • The Orwell Prize for Reporting Homelessness
What do winners receive?

Every year, the Foundation awards £15,000 in Prize money. Winners of each Orwell Prize receive £3,000.

Who can enter? Can I enter myself?

For books, entries must be submitted by the publisher. In 2022, publishers can submit up to five books.

For journalism, someone involved in the creation of the work must be responsible for entering it. This may be the author, journalist publisher, agent, editor or a representative.

For the Prize for Reporting Homelessness, entries may be submitted by the author or the author may be entered for the Prize by an individual or organisation working within the homelessness sector.

For all our Prizes, the person making the submission will be asked to sign a disclaimer on behalf of the author committing to abide by the rules and attesting that the entry is the author’s own work.

There are different eligibility requirements for each Prize, so please read our full list of rules.

How much does it cost to enter?

Unlike industry awards, we have no entry fees and you don’t have to pay for a table to attend our Prize Ceremony.

Publishers who are shortlisted for either book prize are asked to make a contribution (£750) to the cost of promoting the shortlist and winner. This contribution may be waived at the Foundation’s discretion.

When does the Prize Ceremony take place?

The 2023 Prize Ceremony will take place at the Orwell Festival of Political Writing in London on 22nd June.

Who are the judges? How does the judging process work?

We aim to be open and transparent about how our judges are appointed and how the judging process takes place. Judges are appointed each year and published on the Foundation website. The judges are appointed by the Director and administrators, subject to approval by the Board of Trustees.

Judges are independent. They are asked to put aside their own political preferences, and consider the entries solely on how far they meet the Prize criteria.

Early in the summer, the judges decide on a set of finalists (approximately eight per prize), which is published on the Foundation website and publicised via our social media and the press. The winners are announced at the Orwell Festival of Political Writing in June.

How do I enter? When do entries open? When do they close?

All the Orwell Prizes open in November each year, but closing dates and eligibility periods vary between Prizes.

You can enter each Prize here, read the rules here, and read about our key milestones here.

Can we submit multiple entries?

Authors and journalists may only submit one entry per Prize, but the same writer may be entered for numerous prizes in the same year (i.e. theoretically, a writer could be entered for the Orwell Prize for Political Writing by their publisher, as well as entering themselves into the Orwell Prize for Journalism). Publishers can enter up to five books per prize, per imprint – further titles may be called in by judges.

Can I submit my blog?

The Blog Prize was discontinued in 2010. Jean Seaton wrote about why here. The Orwell Prize does not currently have plans to re-launch the Blog Prize.

When will I know if my work is successful? Can you provide feedback?

Keep an eye on our news, sign up to our newsletter or follow us on social media for up to date information.

Unfortunately we are unable to provide feedback on entries due to the very large number of submissions that are made.

How many entries does the Orwell Prize receive?

The Orwell Foundation receives around 200 entries for each award, give or take.

How do I get involved?

Our events are open to the public. Check our events page for up to date information.

If you have an idea for an event, or would like to propose a speaker or a judge, please contact us.

Fools Rush In…

Dione Venables has complied an anthology of George Orwell’s poetry, titled George Orwell: The Complete Poetry, published this month.

Here, she writes exclusively for The Orwell Prize about Orwell’s poetry and why she engaged in the project.

Fools Rush In…

Dione Venables

Having read Keep The Aspidistra Flying by George Orwell, and so enjoyed the way he created a poem gradually, as the story developed, I began to look for other poems that he had written.  Of course the first ones were those that he wrote to my cousin Jacintha Buddicom when they were young and learning about the need to control their feelings.

For many years I waited for one of the academics to gather together all of  Orwell’s poetry, examples of which I would come across now and then within his essays and novels – but it simply never happened, although writer, biographer D.J.Taylor penned an excellent essay on the subject of ‘Orwell and Poetry’ in 2009.  In 2014, with that singular essay still in my mind, I decided to wait no longer but to do the searching myself, and what a search it turned out to be. To be honest, I do not know whether all the poems have been located, but because the clock is ticking for me, by January 2015 it was clear that I had combed enough through the twenty volumes of Peter Davison’s superlative George Orwell: The Complete Works.  I went from reference to page; from page to reference for days and weeks until I was getting rather good at finding my way through these beautifully compiled and edited volumes.  I even learned much about layout and indexing from them when I was deciding how to present the forty two poems which was the total harvest of my labours.

Poems are not like normal text.  They are created out of emotion of one kind or another and this was an area of Orwell’s psyche that had not been seriously explored in depth.   It made me aware that I should introduce each one, explaining Orwell’s reason for writing when I could, and generally giving an account of his health, progress as a writer and translating the slang that was very much part of the first half of the 20th century.  It seemed to me that, without such an introduction, students or readers from other countries would simply not understand what was behind what he was trying to say, and this is the way each poem is presented; in a framework of sympathetic comment, so that when the poem is less than brilliant (and there are several that are below standard!) the reader will at least be ready for anything!  It sounds rather a strange arrangement – but it seems to work.

It has to be understood that George Orwell’s poetry was not written to be compared with his political writing or his essays and novels; he wrote because he felt passionately about something at that particular moment. Sometimes the result was beautiful, mournful, hilarious – and sometimes anger or defeat bled the inspiration out of him and left the reader disappointed.   I’ll show you what I mean.

Awake! oh you  young men of England,

For if, when your Country’s in need

You do not enlist by the thousand

You truly are cowards indeed.

Written by the eleven-year-old Eric Blair at the start of the First World War. Here is the energy and excitement of a child’s romantic view of warfare, pitched into reality by the early death in battle of a cousin. Potential talent here – but nothing extra-special.  By the time he had matured, shaped by disappointment, lack of money, and the beginning of poor health he had begun to look around him and see things.

Sometimes in the middle autumn days,

The windless days when the swallows have flown,

And the sere elms brood in the mist,

Each tree a being, wrapt, alone,

That sharp and deductive curiosity of his gradually needed another direction for the great flow of his creative mind, and soon the pain of living in his world needed ‘letting’.  Bitterness had nowhere to go but through grey and fruitless verse, and his poetry did much to allow him full expression as his health deteriorated.

I feel, and with a sharper pang,

My mortal sickness; how I give

My heart to weak and stifled ghosts,

And with the living cannot live.

Eric Blair had become George Orwell by the time his mood lifted when he married Eileen O’Shaughnessy in 1936.  His verse became more joyful again for a spell and, writing with more success, he was able to express the new well-being in both heart and body.

A happy vicar I might have been

Two hundred years ago,

To preach upon eternal doom

And watch my walnuts grow.

But then he became involved in the Spanish Civil War, was wounded in the throat and the pleasant, cultured baritone voice took on an unattractive squeak. The experience never left him, all the same and his poem ‘The Italian Soldier Shook My Hand’ seems to be the one that most academics remember and approve.

But the thing I saw in your face

No power can dis-inherit:

No bomb that ever burst

Shatters the crystal spirit.

The Blitz, with Eileen beside him, brought forth both his humour and his regret and he was able, when it was all over and he could think back, to remember it with sadness tinged with amusement.

Not the pursuit of knowledge,

Only the chances of war,

Led me to study the music

Of the male and the female snore.

Then Life turned another corner, his treasured son Richard came to them, and Eileen died only months later.  The light went dim again and never really recovered. Orwell was, by this time, making an impact on the world of political thought, his essays were read and respected and his health was fading as he put his mind to his last two books; both of which established his name firmly in the hearts of both the literary world and the casual reader.  The poetry seemed to fade away and only the verses in Animal Farm were left, and a sad little obituary written for an imaginary old countryman, in the last days of his life.

With the little book here in my hand at last, I wonder whether it could have been presented in any other way. You’ll have to be the judge of that.

©Dione Venables. October 2015

Tribunal fees are a silent bedroom tax – James Sweetland, age 16

Winner of the Orwell Youth Prize 2015 – Year group 12 and 13

 

“When I sit down to write a book, I do not say to myself, ‘I am going to produce a work of art.’ I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing.”

In this quote, Orwell captures the reason why I am motivated to write. I believe that the best writing derives from outrage, from a sense that there is injustice in society that requires urgent action. Thus, it is the writer’s prerogative, and responsibility, to expose and promulgate those facts or lies that he feels need ‘to get a hearing’. It is from this standpoint that I wrote the following article.

The introduction of tribunal fees was a little covered but incredibly important decision made by this government. It is rare that any piece of legislation manages to disproportionately affect disabled people, LGBT people, ethnic minorities and women simply to save a relatively small sum of money. Reading and learning about this, I was struck by a profound sense of outrage that a government could act in such a callous way towards vulnerable people. I decided to write about this issue and was fortunate enough to have my article published on the website ‘Politics.co.uk’.

Adapted from an article published on Politics.co.uk on August 27th 2014

 

Tribunal fees are a silent bedroom tax

Since David Cameron reached No.10, government’s responsibility to protect the vulnerable has been ignored. Zero-hours contracts have soared to 1.4 million, food bank users have increased to 1 million, the bedroom tax has affected over 600,000 people, of whom 63% are disabled, and George Osborne’s austerity programme has been unleashed across the UK. While many of these issues have received substantial press attention, there has been little opposition or attention paid to the introduction of employment tribunal fees.

Tribunal fees are paid by those who have either left their jobs or are in a workplace in which they find it difficult to work. The costs of these tribunals are prohibitively high, meaning it is even more difficult for mistreated employees to take action as they are likely to have left or be leaving their jobs. The new system operates a two track system. Type A claims, which concern unpaid wages or disputes over leave, cost £160 to lodge and then £230 to pursue at a hearing. Type B claims, which concern discrimination or dismissal, are even more expensive, costing £250 to lodge and £950 to pursue. Appeals cost £400 initially with another £1,200 for the full employment tribunal appeal. This policy is unlikely to be reversed. UNISON’s judicial review in July 2013 of this policy was dismissed. A further request for an appeal has been granted, but the likeliest route for their abolition is political.

Tribunal fees were introduced for two reasons. Firstly, they were a crude tool used to encourage businesses to create jobs. If companies are aware that ex-employees will have little facility to complain if they are mistreated, it affords unscrupulous employers the opportunity to mistreat their workers, thus saving money. Secondly, it is another step to weaken the influence of trade unions in the British workplace. Such an outcome has many benefits for the Conservative party: weaker unions leading to fewer members and correspondingly lower incomes for the Labour party. Equally, the effect of weaker unions is to create an increasingly ‘free’ labour market, providing businesses with greater powers at the expense of employees, an important part of David Cameron’s economic policy.

The main group adversely affected by this policy are the lowest paid. With wage increases consistently below the level of inflation, zero-hours contracts, the benefits cap and the bedroom tax, the lowest paid have undoubtedly suffered more than any group under the coalition government. The number of tribunals has shrunk by 79% over the past year. Such a dramatic reduction is a clear sign that this policy hands considerable power to unscrupulous and negligent employers at the expense of ordinary workers. Despite this, the media has totally ignored this issue, treating it as a marginal issue rather than affording it the same level of scrutiny as similar policies such as the bedroom tax.

Research by Citizens Advice showed 70% of potentially successful cases are not taken forward and that in over 50% of cases the extortionate fees have a deterrent effect. This is an unacceptable state of affairs, where people are liable to mistreatment by their employers but are unable to take legal action because they do not have enough money to do so. Financial assistance programmes exist but, much like discretionary housing payments for the bedroom tax, are completely insufficient. To put a price on justice in this way is the mark of a government which has contempt for those it should be protecting.

Women are hit particularly hard. Research has found an 80% drop in the number of sexual discrimination cases brought forward. Pregnancy discrimination claims are also down by 26%. Tribunal fees exacerbate the issues resulting from the Coalition’s programme of austerity, which disproportionately affects women. Equally, on a geographical level, those areas which are more affluent (such as London) have had a smaller reduction in tribunals compared to less affluent areas such as Wales and the South-West.

Ethnic minorities and LGBT people are disproportionately affected by this policy. There has been a 60% reduction in tribunal claims relating to discrimination on the basis of race or sexual orientation. This highlights once again how this measure causes harm to groups who are most at risk of discrimination in the workplace. Considering that austerity also disproportionately affects ethnic minorities, this is another example of government exacerbating the inequality crisis that continues to worsen and threaten this country.

The sole benefit of this policy is the savings provided by it. A policy which disproportionately affects ethnic minorities, LGBT people, women, the disabled and those living in less affluent areas is an affront to fundamental principles of fairness and social justice. Tribunal fees have signalled the abolition of justice in the workplace.

The Orwell Prize 2015 Shortlists announced

  Six Books, journalists, and pieces of social reporting announced for the Orwell Prize Shortlist

  • First-time writers on Book Prize shortlist: Louisa Lim’s The People’s Republic of Amnesia and Dan Davies’ book on Jimmy Savile In Plain Sight
  • Journalism Prize shortlist features reporting and comment on a range of issues, from Peter Ross on Scottish independence to Kim Sengupta on Gaza and Ukraine
  • Housing crisis, care of the elderly, and gambling all feature on multi-format shortlist for innovative new Prize for Exposing Britain’s Social Evils (sponsored by the Joseph Rowntree Foundation)

The shortlists for the Orwell Prize 2015, Britain’s most prestigious prize for political writing, were announced at a debate held at the University of Westminster between Stephen Armstrong and Martin Moore on the subject of ‘Unreported Britain’. The ‘Unreported Britain’ series, a collaboration between the Orwell Prize and the Joseph Rowntree Foundation, has been published in the Guardian in the weeks leading up to the debate. Its revelations have attracted substantial attention online and from several other news sources. The judges for the 2015 Book Prize are Claire Armitstead, Gillian Slovo, and Tony Wright. The judges for the 2015 Journalism Prize are Yasmin Alibhai-Brown, Stewart Purvis, and Caroline Thomson. The judges for the 2015 Prize for Exposing Britain’s Social Evils, which has been sponsored by the Joseph Rowntree Foundation, are Anushka Asthana, Richard Sambrook, Nicholas Timmins, and Julia Unwin. The three £3000 prizes will be announced at a ceremony on Thursday the 21st of May 2015. The director of the Orwell Prize, Professor Jean Seaton, said: “Orwell was never parochial. His work spans international events and the national condition, and that range is represented in the shortlist: the books place Britain’s circumstances alongside those of India and China; the entries shortlisted for the Journalism Prize, which range from risk-taking foreign reporting to subtle analyses of our contemporary national issues, are all following in Orwell’s footsteps. Our new social reporting prize allows us to consider the new media that Orwell surely would have been using. As a snapshot of our condition, you need to read it all. The judges who decide upon the shortlists always find judging refreshing. It alerts them and us to how much good work is being done.”   Book Prize shortlist: Rana Dasgupta, CAPITAL: THE ERUPTION OF DELHI (Canongate) Dan Davies, IN PLAIN SIGHT: THE LIFE AND LIES OF JIMMY SAVILE (Quercus) Nick Davies, HACK ATTACK (Chatto & Windus) David Kynaston, MODERNITY BRITAIN (Bloomsbury) Louisa Lim, THE PEOPLE’S REPUBLIC OF AMNESIA (Oxford University Press) James Meek, PRIVATE ISLAND: WHY BRITAIN NOW BELONGS TO SOMEONE ELSE (Verso)   Journalism Prize shortlist: Rosie Blau, The Economist Martin Chulov, The Guardian Rebecca Omonira-Oyekanmi, OpenDemocracy.net, Lacuna, New Statesman Mary Riddell, The Daily Telegraph Peter Ross, Scotland on Sunday Kim Sengupta, The Independent   Prize for Exposing Britain’s Social Evils shortlist: George Arbuthnott, Slaves in peril on the sea Aditya Chakrabortty and Guardian team, London’s housing crisis Alison Holt, Care of the elderly and vulnerable Nick Mathiason, A great British housing crisis Randeep Ramesh, Casino-style gambling Mark Townsend, Serco: A hunt for the truth inside Yarl’s Wood Notes to editors: 1. The Orwell Prize is Britain’s most prestigious prize for political writing. Every year, prizes are awarded to the book and journalism entry which comes closest to George Orwell’s ambition ‘to make political writing into an art’. Each Prize is worth £3000. 2. The Prize was founded by the late Professor Sir Bernard Crick in its present form in 1993, awarding its first prizes in 1994. The Prize is sponsored and supported by the Media Standards Trust, Political Quarterly, AM Heath, Richard Blair, and the Joseph Rowntree Foundation. 3. For further information, please visit our website, www.orwellfoundation.com or contact Alex Bartram at alex.bartram@orwellfoundation.com or 0207 848 7930.

Louise Tickle

Tickle

I have been writing about domestic abuse for over a year now, and have come to realise that the tragic murders which hit the headlines are far from the only aspect of this horrendous, yet everyday, social evil that demands our urgent concern. Hundreds of thousands of victims and their children live with violence, threat, coercion and control every day of their lives. Some of those lives are blighted for decades. The dynamics of abuse within a family home are typically complex, and the effects can be devastating.

I spent four months researching the Guardian Weekend feature which explores how well – or not – victims’ risk levels are identified and addressed by police – and what happens when they get it wrong. Access was difficult: I contacted several police forces and only one agreed to have me in to see their domestic abuse response operation. The piece was planned to run immediately after publication of what turned out to be a scathing HMIC inspection report into the DV performance of all 43 police forces in England and Wales, and in the week following I received a number of emails in response from victims and relatives. Some of the research I wasn’t able to use for the Weekend feature led to other articles. In the case-study element of a two-parter for the Guardian’s Social Care Network, I featured “Gillian”, whose violent husband had just been jailed. She was at risk of her life on the day of the verdict – in case he got off – and again on the day of sentencing – in case he walked with time served.  After her perpetrator was jailed, the Legal Aid Agency refused to meet Gillian’s legal costs as she tried to change her children’s names and flee the area. She was terrified, desperate to move on, but unable to: she was sure she’d be hunted down and killed. It wasn’t an exaggerated fear: women are murdered by a partner or ex on on a regular basis. Sometimes their children are killed too. This was a short piece, but it was the most read on the Guardian’s Social Care Network on the day it was published. By this point, I was aghast and furious at the various failures in the system that were compounding the risks faced by vulnerable and traumatised people. The damage caused to children also makes me incredibly sad. I wanted a more structured way of exploring the pressures and dilemmas in victims’ lives, rather than the adhoc approach of trying to get one commission here and another there. Over a couple of days, I wrote a detailed proposal for a campaign, and approached Wendy Berliner who heads up editorial for the Guardian’s online Professional Networks. As domestic abuse is so central to the work of many public sector professionals, I hoped a series of linked articles would reach a good number of relevant and hopefully interested people. Wendy, together with the Guardian’s social policy editor David Brindle, were instantly keen, and invited me to a meeting at which we convinced the Network editors – Social Care, Health, Public Leaders, Housing, Student, Higher Education, Teacher and Voluntary Sector – to take it on. They would commission a range of content over a period of a few months (this is ongoing), some written by me, some by other journalists. The campaign launched on the UN’s Day for the Elimination of Violence Against Women and Girls, 25 November 2014, with my feature about a multi-agency risk assessment conference (MARAC), which seeks to bring all agencies together to discuss an area’s highest risk victims. Gillian’s plight had continued to worry me. I thought about her a lot. By October 2014, almost a year after I’d first met her, I discovered she’d been turned down once again for legal aid. Children’s services were by now concerned for the family’s safety. And women’s organisations were also now telling me that restrictions to legal aid for domestic abuse victims introduced in the recently passed Legal Aid, Sentencing and Punishment of Offenders Act were putting people in more danger. It seemed that every state system meant to protect a vulnerable person who was being attacked – and their children – was letting them down. Legal aid cuts are a complex topic, however, and I knew it would need a long-form approach to explore the ramifications fully.  I approached an editor new to me at the Guardian’s Saturday pages, Susanna Rustin. This section commissions up to 2,500 words. Wonderfully, given she didn’t know me at all, she commissioned a piece. I went back to Gillian (in this piece known as Alice) and asked her to talk to me again. This time, we met at her home, and sat on the sofa where she had been repeatedly raped by her husband, to do the interview. It was an easy interview – she is a remarkable and resilient person – but a difficult couple of hours: I wondered if I was sitting in front of someone I would write about 18 months hence when her ex-husband had come out of prison and killed her. Her local police force were deadly serious about the danger she was in. Social services were so concerned for the children’s welfare at this point that they were prepared to pay her legal costs. The legal aid agency was still saying she earned £27 too much to qualify for state support to access the protection of the court. This piece got a huge response: 3,145 social media shares and 91 comments, plus a slew of emails offering financial support for Alice, one from a man who had watched his mother being abused throughout his childhood, and who himself was still suffering the effects. Just before the piece ran, I decided to make a little film for the Guardian’s Professional Networks to try to get across what it’s like as a domestic abuse victim to end up in court all by yourself, possibly to be cross examined by your abuser. Making the film was only possible thanks to a week of pro-bono filming and technical expertise generously given by documentary company True Vision, and it went live on the Guardian’s online “front” page on 11 December, the day before the charity Rights of Women’s judicial review into the lawfulness of restricting legal aid for DV victims was heard at the High Court. The Storify I am submitting relates to a recent session at the Public Accounts Committee, in which evidence was given by Ministry of Justice civil servants as to the effects of legal aid cuts. Margaret Hodge was clearly angry. I watched the session live online, tweeted and retweeted others’ tweets as it happened, and then curated and published this Storify of my tweets and relevant others immediately afterwards.   Journalistic Writing Domestic abuse survivor: ‘Injunctions won’t stop my ex’ – 21/04/2014, The Guardian Domestic abuse: why did my sister have to die? – 4/5/2014, The Guardian, Weekend magazine Abused and afraid – and denied legal aid – 29/11/2014, The Guardian Domestic abuse: how professionals come together to support high risk victims – The Guardian, 25/11/2014  

Video

Domestic abuse: “legal aid cuts leave women and children at risk” – 12/11/2014, The Guardian  

Social Media

@louisetickle DV victims: are legal aid cuts putting women in danger?

The Orwell Prize 2015 Shortlists announced

 

6 Books, journalists, and pieces of social reporting announced for the Orwell Prize Shortlist

 

  • Three first-time writers on Book Prize shortlist: Louisa Lim on China, Rana Dasgupta on Delhi, and Dan Davies’ book on Jimmy Savile In Plain Sight
  • Journalism Prize shortlist features reporting and comment on a range of issues, from Peter Ross on Scottish independence to Kim Sengupta on Gaza and Ukraine
  • Housing crisis, care of older people, and gambling all feature on multi-format shortlist for innovative new Prize for Exposing Britain’s Social Evils (sponsored by Joseph Rowntree Foundation)

The shortlists for the Orwell Prize 2015, Britain’s most prestigious prize for political writing, were announced at a debate on ‘Unreported Britain’, held at the University of Westminster between Stephen Armstrong and Martin Moore. The Unreported Britain series, commissioned by the Orwell Prize and the Joseph Rowntree Foundation, has attracted national attention since its initial publication in the Guardian in March and April.

The judges for the 2015 Book Prize are Claire Armitstead, Gillian Slovo, and Tony Wright. The judges for the 2015 Journalism Prize are Yasmin Alibhai-Brown, Stewart Purvis, and Caroline Thomson. The judges for the 2015 Prize for Exposing Britain’s Social Evils, which has been sponsored by the Joseph Rowntree Foundation, are Anushka Asthana, Richard Sambrook, Nicholas Timmins, and Julia Unwin. The three £3000 prizes will be announced at a ceremony on Thursday the 21st of May 2015.

The director of the Orwell Prize, Professor Jean Seaton, said: “Orwell was never parochial. His work spans international events and the national condition, and that range is represented in the shortlist. The books place Britain’s circumstances alongside those of India and China. The entries shortlisted for the journalism prize, which range from risk-taking foreign reporting to subtle analyses of our contemporary national issues, are all following in Orwell’s footsteps.

Our new social reporting prize allows us to consider the new media that Orwell surely would have been using. As a snapshot of our condition, you need to read it all. The judges who select the shortlists always find judging refreshing; it alerts them and us to how much good work is being done.”

 

Book Prize shortlist:

Rana Dasgupta, CAPITAL: THE ERUPTION OF DELHI (Canongate)

Dan Davies, IN PLAIN SIGHT: THE LIFE AND LIES OF JIMMY SAVILE (Quercus)

Nick Davies, HACK ATTACK (Chatto & Windus)

David Kynaston, MODERNITY BRITAIN (Bloomsbury)

Louisa Lim, THE PEOPLE’S REPUBLIC OF AMNESIA (Oxford University Press)

James Meek, PRIVATE ISLAND: WHY BRITAIN NOW BELONGS TO SOMEONE ELSE (Verso)

 

Journalism Prize shortlist:

Rosie Blau, The Economist

Martin Chulov, The Guardian

Rebecca Omonira-Oyekanmi, OpenDemocracy.net, Lacuna, New Statesman

Mary Riddell, The Daily Telegraph

Peter Ross, Scotland on Sunday

Kim Sengupta, The Independent

 

Prize for Exposing Britain’s Social Evils shortlist:

George Arbuthnott, Slaves in peril on the sea

Aditya Chakrabortty and Guardian team, London’s housing crisis

Alison Holt, Care of the elderly and vulnerable

Nick Mathiason, A great British housing crisis

Randeep Ramesh, Casino-style gambling

Mark Townsend, Serco: A hunt for the truth inside Yarl’s Wood

 

 

 

ENDS

Notes to editors:

1.     The Orwell Prize is Britain’s most prestigious prize for political writing. Every year, prizes are awarded to the book and journalism entry which comes closest to George Orwell’s ambition ‘to make political writing into an art’. Each Prize is worth £3000.

2.     The Prize was founded by the late Professor Sir Bernard Crick in its present form in 1993, awarding its first prizes in 1994. The Prize is sponsored and supported by the Media Standards Trust, Political Quarterly, AM Heath, and Richard Blair. The Prize for Exposing Britain’s Social Evils is sponsored by the Joseph Rowntree Foundation.

3.     For further information, please visit our website, www.orwellfoundation.com or contact Alex Bartram at alex.bartram@orwellfoundation.com or 0207 848 7930.

The Orwell Prize 2015 Longlists announced

12 Books, 15 Journalists, and 14 pieces of social reporting announced for Orwell Prize Longlist 2015 – Book Prize longlist includes four first-time authors as well as several established political writers – Journalism Prize longlist includes Economist writer Rosie Blau and Middle East reporter David Gardner – Prestigious new reporting prize longlist includes journalism on themes as diverse as London’s housing problems and the problem of loneliness amongst the elderly     Longlists for the Orwell Prize 2015, Britain’s most prestigious prize for political writing, were announced at 12pm today. From hundreds of entries, 12 books, 15 journalists, and 14 pieces of social reporting were chosen. The judges for the 2015 Book Prize are Claire Armitstead, Gillian Slovo, and Tony Wright. The judges for the 2015 Journalism Prize are Yasmin Alibhai-Brown, Stewart Purvis, and Caroline Thomson. The judges for the 2015 Prize for Exposing Britain’s Social Evils are Anushka Asthana, Richard Sambrook, Nicholas Timmins, and Julia Unwin. The three £3000 prizes will be announced in a ceremony on 21st May 2015. The director of the Orwell Prize, Professor Jean Seaton, said: “We take journalism for granted as just part of our everyday experience. But when you sit down and read the journalism and political writing that has come in for the prize, it is so good that it is almost shocking. The new Joseph Rowntree Foundation-sponsored prize also shows just how journalism is evolving in tremendous new ways. The Book Prize longlist, meanwhile, offers a fabulous array of insights into our national and international situation: they are great books that together help analyse the world.” Stewart Purvis, a judge for the 2015 Journalism Prize, said: “The entries provide an encouraging and rather reassuring snapshot of the writing talent currently at work across the U.K. I came away optimistic that journalism is flourishing in both old and new ways.” Anushka Asthana, a judge for the 2015 Prize for Exposing Britain’s Social Evils, said: “What each of these impressive long list entries achieved was to combine cutting edge investigative journalism with beautifully crafted storytelling – whether that be in print, on TV, or through innovative digital platforms.” Fellow judge Nick Timmins stated: “The entries showed that the issues remain live, but so does some excellent reporting of them – increasingly by using a mix of words and video, or graphics and analysis, in ways that blur the distinctions between print, broadcasting, and online.”

 

Book Prize longlist:

Jamie Bartlett, THE DARK NET (William Heinemann) John Campbell, ROY JENKINS (Jonathan Cape) Rana Dasgupta, CAPITAL: THE ERUPTION OF DELHI (Canongate) Dan Davies, IN PLAIN SIGHT: THE LIFE AND LIES OF JIMMY SAVILE (Quercus) Nick Davies, HACK ATTACK (Chatto & Windus) Robert Ford and Matthew Goodwin, REVOLT ON THE RIGHT (Routledge) Zia Haider Rahman, IN THE LIGHT OF WHAT WE KNOW (Pan Macmillan) David Kynaston, MODERNITY BRITAIN (Bloomsbury) Louisa Lim, THE PEOPLE’S REPUBLIC OF AMNESIA (Oxford University Press) David Marquand, MAMMON’S KINGDOM: AN ESSAY ON BRITAIN, NOW (Penguin) James Meek, PRIVATE ISLAND: WHY BRITAIN NOW BELONGS TO SOMEONE ELSE (Verso) Lara Pawson, IN THE NAME OF THE PEOPLE: ANGOLA’S FORGOTTEN MASSACRE (I. B. Tauris)  

Journalism Prize longlist:

Ian Birrell, Mail On Sunday, The Guardian Rosie Blau, The Economist Martin Chulov, The Guardian David Gardner, The Financial Times Anthony Loyd, The Times James Meek, London Review of Books Suzanne Moore, The Guardian Rebecca Omonira-Oyekanmi, OpenDemocracy.net, Lacuna, New Statesman Melanie Phillips, The Times, The Spectator David Pilling, Financial Times Steve Richards, The Independent Mary Riddell, The Daily Telegraph Peter Ross, Scotland on Sunday Clare Sambrook, OpenDemocracy.net Kim Sengupta, The Independent  

 Prize for Exposing Britain’s Social Evils longlist:

George Arbuthnott, Slaves in peril on the sea Lucy Bannerman, FGM: Child abuse that’s gone mainstream Michael Buchanan and Andy McNicoll, Mental health crisis Aditya Chakrabortty and Guardian team, London’s housing crisis Steve Connor, The lost girls Edward Docx, Walking with Karl Alison Holt, Care of the elderly and vulnerable Nick Mathiason, A great British housing crisis Lindsay Pantry, Loneliness: The hidden epidemic Lindsay Poulton and Guardian team, The shirt on your backs Randeep Ramesh, Casino-style gambling Louise Tickle, Domestic abuse: How victims are failed by society and the state Times team, Secrets of Britain’s teen terror trade uncovered Mark Townsend, Serco: A hunt for the truth inside Yarl’s Wood   ENDS Notes to editors: 1.     The Orwell Prize is Britain’s most prestigious prize for political writing. Every year, prizes are awarded to the book and journalism entry which comes closest to George Orwell’s ambition ‘to make political writing into an art’. Each Prize is worth £3000. 2.     The Prize was founded by the late Professor Sir Bernard Crick in its present form in 1993, awarding its first prizes in 1994. The Prize is sponsored and supported by the Media Standards Trust, Political Quarterly, AM Heath, Richard Blair, and the Joseph Rowntree Foundation. 3.     For further information, please visit our website, www.orwellfoundation.com or contact Alex Bartram at alex.bartram@orwellfoundation.com or 0207 848 7930.

The Orwell Youth Prize

“In a world where the young are increasingly taught what to think rather than how to think, we badly need some subversion. And what could be more subversive than George Orwell’s windowpane prose, and his refusal to run with any pack, or be herded into any flock? The earlier you meet him, the better

PETER HITCHENS, Winner of the Orwell Prize for Journalism

The Orwell Youth Prize is more than just a writing prize. Inspired by its own ‘Big Brother’, Britain’s most prestigious Prize for political writing, the Orwell Youth Prize aims to support and inspire a new generation of politically engaged young writers. We’ll do this through offering young writers a journey through:

  • workshops with writers and journalists that provoke debate and help young writers to write what they think and write what they see
  • online resources to inspire and support; and
  • an online platform where their voice, through their writing, can influence power.

Orwell wanted ‘to make political writing into an art’. We want to give young writers – from all over the country, whatever their background, whatever their ability – the opportunity to do the same.

What is the Orwell Youth Prize?

Focusing on the GCSE and 6th form age range, the prize will collaborate closely with every kind of school in every kind of area. It will complement the national curriculum – specifically GCSEs and A Levels in English, Politics, History and Creative Writing and the EPQ and citizenship programmes – but will be open to young writers studying any subject. It will consist of three elements:

  • Workshops and Debates with young people across the country led by authors and journalists, building on the successful 
pilot of Wigan Pier Workshops;
  • Online Platform for young writers to share their work and receive feedback, and resources to support teachers in introducing back into the classroom both the writings of 
Orwell, and issues raised in the workshops;
  • The Orwell Youth Prizes to celebrate the best examples of writing, for both group and individual work.

The Orwell Youth Prize aims to reach 10,000 young people in 200 schools over the first five years. From September 2014, we will be entering a pilot phase before taking the Orwell Youth Prize to funders and to a wider audience.

Why George Orwell?

Orwell’s values of integrity, truthfulness and fairness are an ideal introduction to the power of language, the importance of writing and reporting and the vitality of politics. His writings took on the biggest issues of his day – poverty on the streets, politics and war, the future of the Western world – and resonate with the young who can relate his focus on justice and deprivation to their own experience. Crucially, Orwell appeals to people of all backgrounds, all political experiences and all abilities.

Why the Orwell Prize?

The Orwell Prize is outstandingly well positioned to launch a Youth Prize to tackle the challenge of young people’s awareness of language and politics and inspire young writers. It brings a rigorous integrity, 21 years’ experience of running a successful prize, and a wide network of writers and journalists eager to lead workshops and act as mentors and judges.

Jonathan Freedland

Jonathan Freedland is a columnist at the Guardian. He also regularly writes for the New York Review of Books and the Jewish Chronicle. He also presents ‘The Long View’ on Radio 4, and writes novels under the pseudonym Sam Bourne. He was shortlisted for the Orwell Prize for journalism in 2007.

Submitted Articles

Jonathan Freedland

Jonathan Freedland is a columnist at the Guardian. He also regularly writes for the New York Review of Books and the Jewish Chronicle. He also presents ‘The Long View’ on Radio 4, and writes novels under the pseudonym Sam Bourne.

He was shortlisted for the Orwell Prize for journalism in 2007.

 

Submitted Articles

 

Marking Margaret Thatcher’s passing: a battle over Britain’s present and future – The Guardian, 09/04/2013

Antisemitism doesn’t always come doing a Hitler salute – The Guardian, 04/10/2013

Why even atheists should be praying for Pope Francis – The Guardian, 15/11/2013

Woolwich attack: When killers strike, should we listen to what they say? – The Guardian, 24/05/2013

In Britain today rules, like taxes, are for the little people – The Guardian, 12/07/2013

The Unknown Maggie – The New York Review of Books, 26/09/2013

 

Kith: the Riddle of the Childscape

Kith is a passionate examination of what it means to be a child, by Jay Griffiths, the award-winning author of Wild. While travelling the world in order to write her award-winning book Wild, Jay Griffiths became increasingly aware of the huge differences in how childhood is experienced in various cultures. One central riddle, in particular, captured her imagination: Why are so many children in Euro-American cultures unhappy — and why is it that children in many traditional cultures seem happier? In Kith, Jay Griffiths explores these questions and many more. Moving from communities in West Papua and the Arctic to the ostracised young people of contemporary Britain, she asks why we have enclosed our children in a consumerist cornucopia but denied them the freedoms of space, time and deep play. She uses history, philosophy, language and literature to illustrate children’s affinity for the natural world and the essential quest element of childhood. Kith is Jay Griffiths’ impassioned, illuminating analysis of a universal rite of passage. In its urgent defence of the rights and needs of every child, it is a journey into the heart of human experience. Taken from Penguin

David Cohen

David Cohen is the Campaigns editor and chief feature writer for the London Evening Standard.  

Submitted articles

These young gangsters have lost so many friends …. Ricky was three when his father threw him off a third-floor balcony – London Evening Standard, 25/09/2013 Once their business was violence and drugs … The ex-cons who’ll take away your stuff but only if you hire them! – London Evening Standard, 07/10/2013 Why is having superfast rail more important than providing the basics for young people – London Evening Standard, 21/10/2013 Waste of young lives … faces of 124 teens killed since 2007 – London Evening Standard, 22/11/2013 Beaten up, raped and made to hide drugs, the middle-class girl who was the lowest of the low to a gang – London Evening Standard, 25/11/2013 Standard’s campaign tackling gangs has revitalised our drive to make a difference – London Evening Standard, 22/10/2013   David Cohen on twitter